“A young woman and her double are murdered in a lush natural setting on the banks of a river, at two different moments in history experienced simultaneously.
This sacrifice-like event triggers visions on the film that seem to emerge from a buried double-memory, taking us on a breathless journey…

The entire film seems to contract and pulsate under the influence of a hidden memory shaking its surface.”

The first instalment of a film trilogy experimenting with the origins of cinematic images linked to female representation, IRON GATES is an allegory testing the codes of the Giallo genre.

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