All Films

When hell rises... One man will go to war for the survival of the humanity!

James & the Giant Pasty has his very own harem of young men. He's the ringmaster and snake charmer of Boylesque T.O., Canada's first all-male burlesque troupe. This talented group of dancers, actors, and performance artists has been busting their buns to put male nudity and sexuality back center-stage where it belongs. Their diversity and openness to different expressions of sexuality and body types is well renowned. A Boylesque show is guaranteed to leave you hot under the collar, howling with laughter, and screaming for more! Though his troupe is a mosaic of gay, bisexual and tri-anything - James is decidedly and (surprisingly!) straight. So just what lures a straight man into this world of wigs, sequins, and bawdy delights? Perhaps this Queen Bee likes having his own gay honey hive.

"In factories, everyone has their place. Western industrial production is a site of magical thinking: an old history that will never return, an idealized construction that never really was. It's impossible to know what the true costs would be if it were to return - societal, environmental, and psychological – and yet, entire political campaigns are built around this. This piece speculates on re-industrialization, and is a sequel to my 2013 video, Safety First (Bad, Don’t Touch, Mercy!). Like its prequel, it posits a non-specific future populated by female factory workers. The geometric aesthetics of power and the romance of industrial-era alienation, are paired with theoretical and fictional texts about alternate social economies. Video footage was shot in Ohio, animation and soundtrack by the artist. Voiceover text sources include Industrial supply catalogs, OSHA safety manuals, Monique Wittig’s Les Guerilleres, and Adorno’s Minima Moralia." -Taken from Jen Liu's Vimeo page.

Weird Love follows an emotionally-unstable womaniser forced to confront his tragic past when he meet

A powerful examination of the effects of divorce told by kids for kids that the whole family will benefit from. Witness testimonies as kids face the trauma, work through the pain, and learn to heal.

Two worlds, two stories: a man and a boy. The kid goes down to the yard to make friends with the neighborhood children. A man has a date on the roof.

An elephant lives in a town among people and works as a street cleaner. One day, he sees a big billboard advertising a bicycle. It seems the perfect size for him! This is the minute the elephant's life changes: he has to get this bicycle whatever it costs him.

Visually dark and sinister short film illustrating the devil’s twisted view of humanity, our hopes and dreams, life, love and struggle together with the sacrifices we make for success.

The movie shows a group of italian imigrants in a ship going to São Paulo in the end of the century XIX. They tell about their fears and expectatives in the future new life.

The world is in the grip of surveillance cameras. Youngsters are at a protest, their motto being "Say No to Cameras." Yet there is a paradox: these very youngsters, despite their fervent opposition, cannot bring themselves to reject the cameras.

After father's death, Alejandro takes a trip back home. It's a journey that leads to reconciliation with the past, to understand the loss and appreciate what is important in life.

An autobiographical essay film structured as a letter to the director’s young daughter, "Où en êtes-vous, Bertrand Bonello?" weaves clips from Bonello’s films, excerpts from his scripts, pop songs, and snippets of original footage into a lyrical, reflexive cinematic self-portrait. "Où en êtes-vous?" is a collection initiated by Centre Pompidou, who asked directors to make retrospective and introspective films.

Expert John Wass presents a documentary telling the story of how hormones were discovered and remain at medicine's cutting edge as we try to deal with modern scourges like obesity.

Mette has a childhood like so many other children. She plays, draws, watches television and is with her mother and father. But underneath the surface, the family's pillow creaks when Mette's father has a gloomy side. Recently, his assault on the mother has begun to intensify and, as her mother is in hospital after a serious injury, and later in the local shelter, Mette faces some major changes in her life.

A film-metaphor about dreams, flight and freedom.

Since she was a small girl, Jane Panting has heard miraculous stories from her mother, Elizabeth -- stories of temporal salvation that her young family experienced as they voyaged from Gloucester, England, to the Salt Lake Valley. She heard about the blessing Wilford Woodruff gave her mother, promising that she and her children would reach their destination and experience the Lord's providential hand on more than one occasion. But Jane was only an infant when they made their harrowing journey and is beginning to doubt her mother's fantastic stories -- until she receives a miracle of her own.

A young couple struggles to break free of the restricted world they've created together.

In a small Southern town in France, Dolça, a nineteen years old girl, builds a close relationship with Sam, the little boy she babysits. But her relation with Sam is turning upside-down when she meets his father: a newly divorced handsome man.

There are houses, and then there’s Ricardo Bofill’s house: a brutalist former cement factory of epic proportions on the outskirts of Barcelona, Spain. A grandiose monument to industrial architecture in the Catalonian town of Sant Just Desvern, La Fabrica is a poetic and personal space that redefines the notion of the conventional home. “Nowadays we want everyone who comes through our door to feel comfortable, but that's not Bofill’s idea here,” says filmmaker Albert Moya, who directed latest installment of In Residence. “It goes much further, you connect with the space in a more spiritual way.” Rising above lush gardens that mask the grounds’ unglamorous roots, the eight remaining silos that once hosted an endless stream of workmen and heavy machinery now house both Bofill’s private life, and his award-winning architecture and urban design practice.

Forsaken explores an abandoned juvenile hall. Parts of this film were photographed over many years revealing the physical change in the building. The neglect of the building is a metaphor for the children who had once lived there.

Jeong-tae, who was sleeping late, wakes up when his daughter brings a friend. But Jung-tae looks familiar to his daughter's friend. Jung-tae tries to get out of the house to avoid her. But he can't get out.

The boys grew up together. By chance, they meet to catch up and have some fun. This time, with their old pal Dima.

In April of 2013, American singer Patti Smith travels to the grave of French writer Jean Genet in Larache, Morocco. She brings him three stones, which she collected for him over 30 years ago.

The life and the films , not excluding the reference to Domage qu elle soit une putain, of Romy Scheiner recreated grace words of people who knows her in different circumstances.