All Films

Film Diary #7 (Psalm Sunday)

2024 • 5 min

Dedicated to my dear friend Suzanne Kelliher. Sound: “Feather” by Kevin Barnard "This is a portrait of a camping trip to the Cottonwood Mountains and Joshua Tree and the Sultan Sea. It was Palm Sunday. When I went to title the film it naturally came out as Psalm Sunday, more appropriate." — DA

Film Diary #8 (Papa John Creach)

2024 • 3 min

Filmed in Chicago 1978, Papa John Creach playing with Grace Slick and Hot Tuna. "I filmed from stage side one roll of Reg 8mm black and white. As the film ran out of the second side of the film, someone from security tapped me on shoulder and demanded that I give him the film. I started fast talking and told him that I would stop filming, he still demanded the film. I then opened the camera and showed him that there was no film left in the camera. That seemed to please him and he left." — DA

Film Diary #9 (Water Fall)

2024 • 4 min

These are the waterfalls in Yosemite National Forest. The mesmerizing movement of water. Film ends with two dolphins sun bathing.

Film Diary #10 (Eyefull Portraits)

2025 • 4 min

Brief, impressionistic portraits of many of Angerame’s friends and acquaintances who live in San Francisco. Set to Toney Merritt’s haunting sound design and superimposed with NASA images and footage of Angerame’s coming down the elevator at the Eiffel Tower, FILM DIARY #10 EYEFULL PORTRAITS is a descent into the depths of the subconsciousness, transforming into a complex, densely layered exploration of friendship, loneliness, city dwelling and the unknown. – Kornelia Boczkowska

No Rush

2025 • 16 min

Three friends run late to a very important date.. with their exes?

Foxtrot

2021 • 4 min • Argentina, Brazil

"You know what Kant said? / That if everything went ok at the middle / It will also be alright at the end, / depending over the idea made at the beginning. / And then – as illustration – / went on dancing / a foxtrot." Produced with found-footage in 16mm format, "Foxtrot" is a visual plasticity exercise that deals with bad luck processes.

Double Talk II

2020 • 5 min

"The astronaut has been released". Double Talk II is an audiovisual exercise originally designed to be shown with two super8m projectors. Small fragments of family films, historical and institutional documentaries assembled to generate a reflection on the materiality of the support.

Mas Paritarias Menos Yuta

2019 • 4 min • Argentina, Brazil

Movie filmed during July in Buenos Aires. The material records various situations crossed by the current social context. Filmed in Super 8 and handcrafted revealed by its own filmmakers.

Malogro

2019 • 4 min

Documentary footage of the History of the Olympics intervened with corrosive chemicals. The emulsion, together with the athletes that make up the tape, generate different rhythmic results.

Lick Every Drop

2018 • 6 min • Argentina

In 2015, 4 reels of 8mm with hardcore pornographic films from the 60s are found in a Federal Capital dump truck. In 2019 we intervened them with sulfuric acid and caustic soda. The emulsion expands and contracts with the bodies, melting together until completely abstracted. A duel between censorship and the explicit. - ML

Let’s Take a Walk

2018 • 5 min • Argentina, Brazil

The memory present in the image as a sign of absence. Let’s Take a Walk is a film made with family footage found in Brazil, Uruguay and Argentina and intervened with various chemical processes.

Notas de un adiós

2025 • 9 min • Colombia

Elena, a young marimba player, prepares for the most important performance of her life, longing to share that moment with her grandmother, her teacher and greatest inspiration. However, when her grandmother does not arrive on time due to a fatal accident, Elena faces deep sadness and an immense sense of loss.

The Complications of Pain

2020 • 2 min

Directors Purav Virdi and Melanie de Souza’s weekly vlog centers on relationship therapy in this episode

Falling from the stars

2025 • 10 min • Colombia

Luisa couldn't be more fed up with her job which she chose because of pressure from her mother, but when she goes to a graduation party and meets again with an old friend who has become teacher, he guides her and she discovers her true purpose in life.

Abissu

2020 • 13 min • France

In a delicate style, Moeschler portrays the return of a young man from the countryside to his hometown. The ecstasy of the reencounter, the possibility of a fresh start, friendship and love, the deserted streets at night.

Carl Brown

2010 • 5 min • United States of America

A short video documentary by Barbara Sternberg, approximating the dual-screen approach of the titular filmmaker. Brown speaks candidly, is shown in a studio; An excerpt from his film Memory Fade (2009) follows the footage. One of many of Sternberg's interviews with fellow artists.

vers(ing)

2010 • 10 min • United States of America

vers(ing) opens in a coffee shop. People, sit, enter and exit. A conversation is heard. The video continues, traveling through the streets of a city, to a park, to other coffee shops, other places. No particular destination is reached, but as we travel, fragments of text are read, conversations are heard, settings, people and objects are noticed. vers(ing) presents a moving toward that is transitory and offers a poetic contemplation of how life, meaning, and film are intertwined and constructed.

Colour Theory

2014 • 6 min • Canada

Goethe’s colour theory dealt with the optics of colour relations; Rudolf Steiner’s and Kandinsky’s theories attribute emotional, musical, and spiritual affects to colour; North American Natives see personality traits and states of mind, seasons, races, and the four directions in the four colours: red, yellow, white, black. What’s in a name, what’s in a word? A world of colour.

Far From

2014 • 17 min • Canada

Constructed with repetitions and variations, in reference to the musical form of a Nocturne, “Far From” is an accumulation of layers, a density of living, the noise of existence. Ghosts of lives lived and traces of lives being lived, rising.

Love Me

2014 • 7 min • Canada

Using only text-on-screen, Love Me distills the emotions of an earlier film, Beating – emotions which conflict, confuse, are difficult to reconcile. The texts ‘speak’ unsaid and unsayable thoughts, impolitic or just impolite. Suppressed exclamations from past injustices, hurts, angers surface, interrupting, erupting, demanding attention.

The Human Condition

2016 • 8 min

Ideas about how we live in the world as humans, the difficulties faced, the conditions of our brief existence, accompany us consciously or unconsciously, overtly or subliminally as we go about our daily lives. The video quotes images from art and film and texts from various philosophies to conjure the fraught and beautiful condition of being alive.

The Earth in the Sea

2017 • 8 min • Canada

Videoed off projected super 8 footage, this short film in four parts (titles from Artaud: “ the earth in the sea, the air in the earth, the fire in the water, the water in the air”) is suggestive of, on some level, the interrelatedness of everything. Porous, fleshy, granular atoms of existence, mutable unending energy, pulsing, beating, burning, blurring, clarifying, obscuring, revealing - fleeting.

Untitled #1 (sun vision)

2019 • 40 min • Canada

There were two initial impulses for the film: the paintings of John Turner (whence the bracketed title ”sun vision”) whose almost-not-there paintings dovetail with the space I find myself in at this stage of life: at the frontier between youth and old age, not all-is-still-to-come but not all-is-over yet either; and the spirit-filled paintings of Emily Carr, particularly her later swirling treetops and skies.

Once I Am

2020 • 3 min

The day as it went along – feeling the light of the present…what else is there?