All Films

Master Fu instructs his student Tong Tong to hunt down the outcast villain Power Chow. Power Chow is using his abilities to wipe out several lives across the country. Tong Tong is initially reluctant to use deadly powers himself, but once he sets out on his journey and makes acquaintance with Power Chow's creatures of the night in the Ghost Forest, nothing can stop him!

A short documentary about the IWW/IU660 Starbucks Workers Union and its struggles and victories during a two-year labor campaign.

Dog leavings become a growing problem for Tokyo and its residents.

Lockdown plunges head-first into the gritty underworld of some of America's most fearsome prisons. Three thrilling hours provide an unprecedented immersion into life in the "big house": vicious gang leaders, a "prison pretty" newbie, and a gangster turned rat. In this world of absolutes, predators stalk their next prey, gang commanders order hits from isolation, and inmates are armed with deadly weapons. But the prisons are striking back. Institutional weapons of choice include state of the art surveillance and old school isolation. Officers are armed to the hilt with steel batons and pepper spray. Our cameras are there, in the middle of this real-life war zone, where only the strong - and the devious - survive.

'This is about the dreamlike images I saw while having epilepsy seizures, as they quite often happened in the past years.' (Stom Sogo)

This documentary follows an expedition taken by the United Nations to observe the increasingly rapid glacial melt forming at the base of the Himalayas.

Set in the rural town of Marmora; the home of Punkfest, arsenic poisoning, radioactive pollution, and visions of the Virgin Mary.

What does 35 years of a perfect marriage sound like to you? Do you really believe that love is eternal? What do you prefer, dressing saints or undressing drunks? How much does money buy? And what if I like people of the same sex? Where are we going to end up? What is the age of deserving? Are you there to choose or to be chosen? Have you ever thought that what you do is not right? Did you know that it is fashionable to be loyal rather than faithful? And are you a good catch? And what will they say when they find out? Is all this in bad taste? Have you already seen under the table?

A meteor lands on top of a farm growing vegetables for the consumption of a nearby city. The strange radiation makes the once harmless vegetables come to life and wreak an unholy revenge of the citizens of the town. A marvelous piece of animation in the spirit of the B movies of the fifties by Ken Turner with more than a twist in its tale. Marvelously evil!

Captain Bruce Yamashita just wanted to serve his country; because of his race and ethnicity, the U.S. Marine Corps denied him the chance. Instead of giving in to discrimination, he took a stand for fairness and justice, uncovering evidence that rocked the Corps. A MOST UNLIKELY HERO presents Bruce’s story as a model of courage and commitment in contemporary America.

Economic depression and political chaos force Tajik men to become migrant labourers, working in unsafe conditions and with inconsistent pay. Tajik women attempt to keep their families alive, and, in some cases, enter polygamous marriages to feed themselves and their families. Often, these women relate to Penelope, the wife of the mythical hero Odysseus, who waits many years for her husband to return.

After the events of September 30, 1965, a village in Bantul was frequently visited by flying saucers. While walking in a sugarcane field after seeing a flying saucer, an elementary school boy meets a small dinosaur. The incident was the beginning of the appearance of other dinosaurs in the village.

New documentary short examining the Neil Hamburger phenomenon Down Under, with rare archival footage of Neil in triumph... and defeat.

Personifying Mother Earth, she walks through her domain. She observes her environment and what has happened to it. She weeps. She feels violated. Not only has man damaged her but they continue to damage each other. She sighs. She will visit and start again sometime soon.

A young little orphan loses herself in the Woods of Vain Things. In her journey, she finds an old log cabin: it is soon revealed to be the dwelling of Gilbert, the prize-builder, victim of a strange spell.

She’s overweight and big-boned. How will that affect her chances for marriage and employment? The world is nothing but worries. Should she lose weight or get surgery to shave her bones down to look more petite? Or maybe even replace all of teeth like TV celebrities do? In response to these appalling questions, she must explain herself earnestly and painfully, yet she refuses to give up on her body so easily. In a society where a woman’s life is determined by her body, perhaps she feels that it is only when she treasures her body that she may attain happiness. One of the shorts in the omnibus animated film If You Were Me: Anima Vision produced by the National Human Rights Commission of Korea. (Kim Joon-yang)

Petar Božović, the legendary actor, masterfully speaks the poem of the great and genius poet Matija Bećković: We will fight again.

Video installation, 2006, at M HKA Antwerpen 2007 “Lonely at the Top”, curators Dieter Roestraete & Grant Watson. The title of Marie Julia Bollansée’s work refers to an old Etruscan city near Rome. Tarquinia was the most important of the twelve cities of the Etruscan League and is now an archaeological site primarily known for its necropolis – an underground cemetery containing more than six thousand tombs, many of which are decorated with splendid colourful murals. However, of this partially macabre history hardly a trace can be found in Bollansée’s “Tarquinia”, a three-part projection in which a festively laid table with an ever changing line-up of guests is the central point – a picture which is loosely based on Tarquinia’s ancient wall paintings. Although associations with the iconographic tradition of the Last Supper are brought to mind, “Tarquinia” definitely plays on a different emotional register – that of a festive beginning rather than that of a majestic fatal ending.

A metalinguistic film. A group of friends talk about making a film. As long as they talk, the film starts to happen.

45,000 World War I veterans, impoverished by the Great Depression, who marched on Washington D.C. in the summer of 1932 seeking payment of the compensation promised them for their war service.

The filmmakers interview members of different activist organizations and discuss basic questions regarding activism and its role in a democratic society. Each organization is given the chance to voice their opinions and the audience is left to consider and critique their stands on key issues, including Amnesty International’s worldwide campaign for human rights and the local resistance to the damming of the Icelandic highlands.

BITCH (Keira Leverton) is a pop-culture vigilante, who administers beat-downs to many deserving folk. Be it your pretentious taste in music, your fugly clothes, your insipid pseudo-intellectual rantings, or your poseur attitude, she will find you and she will make you pay. Love is for losers, and PDA couples make BITCH want to puke razor blades. That is until she meets FUCKER (Juan Garcia), a guy as antisocial as she is. Can they regulate the poseurs of the world together? Only if she can win him, but she may have to kick his ass first.

A chicken lived in a yard, which could not have offspring, which was very frustrating for her. She had been giving burth to toys, bottles, balls and other trash she miraculously brought chickens and... a tiny excavator. When the excavator grew up, he became very useful in agriculture and mined worms for the entire coop. However, once he opened a terrible secret that forced him to leave his native house.