All Films

Based on Italian children's tale

A soap-like entanglement in a couple of controlled strokes – a side of Iran we don’t often see. A man receives a phone call from a friend whose wife didn’t get home in time. His friend shouldn’t worry too much, he thinks.

The film tells the fascinating story of how painter Francis Bacon's Reece Mews studio in London was 'frozen in time" and reconstructed at the Hugh Lane Gallery in Dublin. The relocated studio, the first computerised archive of the entire contents of a world ranking artist's studio, opened to the public in 2001. It has changed the shape and focus of exhibitions of Francis Bacon's work ever since.

A ghostly-looking young woman wanders from place to place, ending up in a bathtub with hooks through her skin. This short film was the trailer for the 2006 edition of the “Festival Macabro”.

A short film with the developed idea of "chat is not made only through the internet the 'Turkish Chat' never..." and by the humorist act of narrating the mixture of the graffiti and recent chat culture. The whole movie is prepared in English with the idea of international film festivals. When a young man goes out of the underground, he wants to go to "the water closet" but all "the water closets" and urinals are busy. After a few minutes, a man goes out of "the water closet". A young man gets into that water closet. After he enters that water closet, he replies to one of the messages written there, and all his world changes from that moment. Afterwards, he has only one aim to look at his place in the water closet. It's a duty like looking at his e-mails. Also, even "the special songs" that he listens to in the underground don't help him to give up on this strange game. But an inevitable end is waiting for him in this game. Every beauty has an end.

Documentation of the Bristol dubstep scene circa 2006 capturing the musical genre in its infancy. Outside of London, Bristol is the UK's largest dubstep city and is a major player in the scene, with a network of local DJs, promoters, and producers pushing the sound. Features footage from Bristol's premiere dubstep nights and interviews with key individuals, providing a thrilling snapshot of the newest music scene to develop in Bristol.

A camera crew follows the cryptozoologist Roger and his search of a giant sea monster.

Thirty-five continious sequences, pixel-like, recur in a time-lag, forming an undulatory horizontal movement. The result is a retinal tapestry.

Satirical super 8 primer & etiquette lesson by Bay Area filmmaker Mary Guzmán

An in-depth look at jamming and the extensive efforts by the U.S.S.R. to disrupt RFE / RL radio broadcasts.

Leaping out of their cars, two rival passengers become locked in a frantic battle of Parkour to secure the last space at the top of a multi-storey car park.

A mind-bending film where the main character relives a harrowing scene over and over.

Black and white animation: Words, thoughts... a shout. A cliff to jump from. But things don't end there.

THE FLYING BOOMERANGS follows a team of outstanding young Indigenous football players who travelled to South Africa to play a series of competitive games. The trip was part of the AFL's plan to expand the game into other countries and make it a more international sport. In the process, the young Indigenous squad learnt important lessons about culture, justice and themselves as young leaders.

From acclaimed Hawaiian filmmaker Kayo Hatta comes Fishbowl, a vivid and humorous portrait of growing up in 1970s Hawaii when life was far from paradise. Based on Lois-Ann Yamanaka’s novel Wild Meat and the Bully Burgers, the film follows Lovey Nariyoshi (Mie Omori), an imaginative outsider bullied by her perfect-seeming classmate Lori Shigemura (Jordan Mukai). Escaping into fantasy, Lovey dreams of being the bold girl she wishes she were. Her best friend Jerry (Billy Lam), an effeminate boy longing to join Lori’s clique, ultimately betrays her, forcing both of them to confront friendship, identity, and the painful realities of adolescence.

Baubas tries to scare local children and faints after unsuccessful attempt, that's why the ambulance takes him to the hospital. Doctors are rather shocked because of curing Baubas...

This 1973 work by photographer Daido Moriyama features footage captured with a portable 8mm film camera mounted on a motorcycle, documenting the nocturnal streetscapes of Shinjuku. The resulting imagery—blurred, shaky, out of focus, high-contrast, and lacking deliberate composition—unfolds as a stream of flickering lights that emerge and vanish amidst the flow of the city at night. Accompanied by the drone of the motorcycle engine and the honking of taxis, the piece lays bare the tedium, darkness, and disorder of the urban environment, while also evoking a deeply nostalgic sentiment for life in Shinjuku.

...the desert is your own face, and if you don't love your own face, who could you love someday?...

'places in pieces vol. 2' is an experimental documentary with a geographical focus on the western countries within Europe. As with volume 1, the intent of volume 2 is to draw the viewers attention to that which is often overlooked or discarded. And like volume 1, urban settings occupy a majority of the landscape within the frame, but rural settings are also observed.

In April of 2006 a total of 150 disposable cameras were distributed in two of the Sahrawi refugee camps with the objective of producing a self-portait of refugee families who have lived in the desert for 30 years.

Sentry, a 19 year old orphan has a secret. He's extremely gifted and mad at the world. Will anyone listen?

A toy duck finds itself awakened in the middle of an empty bathroom. Confused about its whereabouts, it tries to help its fellow toy ducks so they can be reunited once more.

A short documentary of the filmmakers father's four sisters. Filmed in 2006 on Kodak film with a Bolex EBM

The documentary presents the life of young favela dwellers who work with drug trafficking. The documentary was recorded between 1998 and 2006, when the producers visited various poor communities in Brazil, recording a total of 90 hours of video. The name of the documentary comes from the term "falcão" (falcon) used in the slums to refer to the lookouts who keep watch over the community and inform when the police or a rival group approaches. During the recordings the two producers had to face the hostile environment where the boys lived.