All Films

When a man thinks his day can't get any worse, he discovers he is driving a bomb.

R&B superstar Usher shows off his sexy and soulful style in this video release. Usher: Rhythm City, Vol. 1 -- Money, Power, Respect features a 30-minute short film which expands on Usher's video for the song "Caught Up," as well as a behind-the-scenes documentary on the making of the movie.

Based on transcripts of an interview with an actual call girl working for over 22 years, "Transaction" is a frank and affecting cinema verite-style depiction of the interaction between a client and call girl that leaves the audience to determine their own feelings about that dynamic. The shooting style also provides a subtle examination of point of view, shifting energies/control and the commodification of sex.

Pete is ready to break up with Juliet, his girlfriend of three years. When she gets home, she mistakes his words and actions for a proposal and before he can correct her mistake, their house is full of family, friends and champagne.

The Art of Henry Moore aims to rediscover the artist by returning to the works themselves – his sculptures, drawings and graphics – and to Moore’s own thoughts about them. Archive photographs from the collection at the Henry Moore Foundation complement the artworks, newly filmed across Britain, in France and the USA. Many of the artist’s most significant sculptures are featured, from the earliest models of the 1920s to the monuments of his final years. Drawings from each stage of his career, including the famous tube shelter sketches made during the Blitz, are also included. The specially recorded soundtrack is drawn solely from Moore’s words in interviews, articles and letters.

Ana has just been dumped by her boyfriend Manuel. While living with her, he never let her own a pet because he thought it was cruel for the animal and not very hygienic. Once he even convinced her to get rid of a turtle that was given to her as a birthday present. But now she has decided to get a puppy, partly as revenge for leaving her and partly to help her forget about him. She names him "Man" because he sees him as half "Manuel" but still twice the man he was. Time goes by and the dog grows up but she can't forget her ex-boyfriend, and she doesn't want the dog anymore. So she plans to give him away, as a Christmas present, to her brother. She leaves him in the car and has dinner with her family but when she comes back to get him, the car is gone and so is the dog. She feels very sad and tries to find Man. Until one day, Manuel shows up at her door with him. He tells Ana a story of how he bought the dog at the market they used to visit when they were together, and how ...

Between 1979 and 1983, 117 violent and gritty social realist pictures were produced in Taiwan. Many of these found their way around the world courtesy of Hong Kong's IFD films.

A comedic Mexican short film about "the worst thing a woman can tell you: "I like you too, but only as a friend." -Edgar Cochran

A series of interviews about the film Peeping Tom (1960). It includes a rare interview with Karlheinz Böhm talking about his role and its subsequent effect on him.

An aging artist losing his vision employs a street hustler to paint for him. Both are desperate, but how far will each go to satisfy his grave needs?

Ça cartoon hosts introduce a TV special dedicated to the spinach-lover Popeye!

Brings to life the diaries of young people who witnessed first-hand the horrors of the Holocaust. Through an emotional montage of archival footage, personal photos, and text from the diaries themselves, the film celebrates a group of brave, young writers who refused to quietly disappear.

The Weebles continue to share their adventures and lessons with children, discovering that it isn't important to be perfect, but to try your best to learn how to be polite to a guest - even one that's behaving badly.

Documentary created by Matthew Gray Gubler during, and about, his time on the set of The Life Aquatic with Steve Zissou.

Nirvana's groundbreaking 1991 album NEVERMIND raised the Seattle trio to the status of Godhead, forever changing the face of the pop music market. "Here we are now, entertain us" may have come and gone as a catch-phrase, but as an insight into a generation's bitterly restless tide, it ranks right up there with "I can't get no satisfaction." Part of the CLASSIC ALBUMS series, this release sheds new light on the production and legacy of NEVERMIND through revealing interviews with industry insiders. With unprecedented openness, remaining band members Krist Novoselic and Dave Grohl discuss the production of individual songs, and tell amusing anecdotes about the band's financial struggles just before making it big. In addition, NEVERMIND producer Butch Vig invites viewers into his studio, where he dissects and examines each of the album's tracks. By isolating, examining, and reassembling each instrument and vocal track, Vig is able to recreate the manner in which the album was produced.

Short movie

Kara is a little girl living in an isolated place. Her father disappeared after Ronald killed her mother. A journalist's invasion of her life makes her decide to seek out Ronald and ask him the ultimate question.

Recorded at the Walker Art Center, Minneapolis in September 1999.

DRIFT is a collaboration started in 1991 between visual artist Leah Singer and musician and poet Lee Ranaldo of Sonic Youth. DRIFT is an immersive sonic/visual environment consisting of music, sounds and texts by Ranaldo in response to two 16mm analytical film projectors performed in real time by Singer. Much as a DJ scratches a vinyl record, Singer manipulates her films in a live improvisation with Ranaldo's guitar, poetry and soundscapes.

The politically and environmentally challenged landscape of the Bolivian town of Uyuni is the backdrop for a tense exchange between a man and a woman, which is intercut with sound from Peruvian radio.

Various images of quivering soapbubbles.

Christmas Night. A man, a serial killer gets out in order to search another victim. The thoughts could be our own but the end is unpredictable.

In this endearing dinosaur tale, an introspective Tyrannosaurus Rex wonders why a so-called "terrible lizard" can't be a vegetarian!