All Films

It's been called the greatest story ever told, and with good reason. For all Christians, the story of Christmas, the story of Jesus' birth represents a new birth of hope for humanity, but it has also attracted millions of non-Christians because of its great beauty. Now, with this animated film, you can reintroduce your family to this classic Biblical tale. The Nativity is one of the twelve programs in the Greatest Heroes and Legends of the Bible series. This program features: All-new animation, an introduction by Charlton Heston, and "Simon & Gimmel -Your Faithful Guides," two animated characters who lead viewers through the story and make it accessible for all ages, especially ages 4 to 11.

A short film.

Old school indie action by The Stunt People

Barbed wire. Thumbtacks. Cheese graters!?! For the WRC wrestling federation, it's just another day at the office.

The Bible is filled with stories of God's miracles. But the miracles performed by Jesus have a special significance: they reveal His divinity and suggest that those who come to God through Christ will themselves be miraculously transformed. Now, with this beautifully animated film, you and your family can revel in the wonder of these miracles. The miracles of Jesus begin with the appearance of John the Baptist. "I will baptize you with water," he tells the people. "But the one who follows me is far greater...He will baptize you with the Holy Spirit!" John's words initially mystify the people to whom he speaks. But when Jesus begins to preach, they sit up and take notice. And when the young carpenter from Nazareth performs a string of miracles-the healing of the sick...the transformation of water into wine...and the multiplying of fishes, to name just a few-the true meaning of John's statement becomes clear.

Carrot unites all the characters of the story. The Hare doesn't have a carrot. But the Snowman has it. The Hare is hungry. The Snowman becomes hunted. The Snowman tries to hide itself from the Hare by unbelievable camouflage and disguise, but it is the Carrot that betrays him again and again. The coming of beautiful spring shows that the Snowman is not a real snowman and the trouble-maker Carrot becomes a sign of reconciliation.

Sandra Samson, a young Surinamese woman in her early twenties is coming to terms with the fact that she's a Lesbian. She is very close to her mother Louise with whom she runs a hairdressing salon in Amsterdam. Louise is worried about the fact that Sandra is still single and blames it on her natural hairstyle. Sandra wants to come out to her mother but has to figure out how to do that.

A native of the capital of Catalonia, the architect-urban planner, to whom we owe the Saint-Honoré market in Paris and the Donnelley Building in Chicago, speaks of Barcelona with infectious passion. "It's a unique city, difficult to understand with conventional diagrams, he explains, criss-crossing the main arteries of the city". It is an unfinished city, constantly changing, where everything has the charm of the unfinished". With a sharp eye, Ricardo Bofill observes and comments on volumes and scrolls. Standing, in the nave of the Sagrada Familia, arms outstretched, it pivots on itself as if to take in space. "You have to have your eyes wide open, move quietly, and at the same time remember what's behind. This is how we have the sense of space. Otherwise this art does not exist."

The favourite places for thinking of the philosopher Friedrich Nietzsche - Sorrento, Engadine, Venice, Genoa, Rapallo, Nice, Turin - with passages from his letters and notebooks that explain why they were so important to him.

Short animation transports you to the heart of the imagination of a child. In the storm that threatens a little girl thinking at night aloud.

This well-received British series, hosted by Grant McTavish, digs deep into the second volume of J.R.R. Tolkien's epic and, with the help of computer technology and the artistry of the Brothers Hildebrandt, looks at Middle's Earth's locales, language, cultures, residents and more. Tolkien expert Michael Stanton and historian David Doughan lend extra credibility to the analysis.

Once Mulle Meck decided to build a car to see what it looked like where the road ended. He came to an ocean and in order to see what was on the other side of the ocean he built a boat and so Mulle Meck's discoveries continue.

The film is a travelogue of sorts. Ostrovsky’s personal family footage meets the archives of Soviet propaganda footage. The result is a kind of Khruschev-era mix with a collage of Soviet music and a voice-over of my reminiscences of the Cold War era.

A young boy is bewitched by a girl he sees by the pool.

The story of Freitas, a repressed and conservative family man, who has a tragic surprise on his birthday.

Short film by Kazushi Ozawa.

After Adam Henderson is faced with a difficult decision at work, he and his family fall prey to a stalker.

On 8th September 2003, David Bowie made history at Riverside Studios in Hammersmith, London, with the biggest ever live and interactive music satellite event the world had seen to that point. The special one-off live concert – where Bowie and his band performed the brand new "Reality" album in full – was beamed simultaneously to fans in 86 cinemas in 26 countries, from Hong Kong to Helsinki.

An average Sunday in the life of the filmmaker.

A documentary on the making of Tchao Pantin (1983), featuring interviews with writer-director Claude Berri, novelist Alain Page, stars Richard Anconina, Mahmoud Zemmouri, Agnès Soral, cinematographer Bruno Nuytten and others.

Four intersex people tell their stories with eloquence and candour. Roz Mortimer's film questions how medicine and society have treated intersex people, and breaks the codes of silence and secrecy that have surrounded their lives.

In "The Shirt" Kanien’kehaka (Mohawk) artist and director Shelley Niro parodies the archetypal tourist tee-shirt from the point of view of First Nations Peoples as an exploration into the lasting effects of European colonialism in North America. Facing the camera directly and poised against the landscape of “America”, an Aboriginal woman with biker-like accessories bears a sequential series of statements on her tee-shirt that together comprise a discourse on colonialism. The darkly ironic and yet brutally truthful messages of "The Shirt" draw attention to the history of invasion that indigenous peoples have experienced in North America.

Baltimore deals with the cinematization of video art, on the one hand, and a queering and racing of the museum, on the other. The film installation works as an intervention that attempts to address the creolising vision in the space of the gallery.