All Films

Childhood is not necessarily as rosy as we adults want it to be. It can be full of worries and anxiety.

Antoine loves Clarisse and wants to marry her. Or how a simple story about a lost ring leads a young woman to say yes, finally!

Part 3 of documentary trilogy about Persian poet Forough Farrokhzad. This part focuses on her theatre and film work.

A man driven to murder by his mother's horror stories terrorizes women at a house party.

Three characters try to build something in isolation and find that they will only succeed if they unite.

Karl-Heinz Schneider travels once again to his former homeland. In his pictorial and masterful narrative style, the author lets us participate once again in his childhood and youth days and vividly shows us the history, culture and people of the former Brandenburg district of Weststernberg.

This is someone who is driven to escape by himself and whose own actions catch up with him and part of his conscience demands more and more ready accountability on this torturous journey.

On a chilly morning an old hunter passes the farm of his old friend Preben. The wind blows the gates open and reveals a terrible tableau in the yard. The day before, Preben's wife has left him with their boy. With his family gone, his pride is overwhelming: The bull stands there solid as a rock. The hunter reaches for his gun - but a bull like this is hard to kill.

A ferocious battle fought between the Japanese and United States Carrier Fleets, which proved to be one of the most decisive victories and a major turning point for America in the war in the Pacific. The Japanese lost four of their powerful carriers and from that point on, no longer able to risk a major fleet versus fleet action, went on the defensive. By the time they had recovered enough to rebuild their fleet, American power had mobilized into the unstoppable force that Japan had so feared.

About days of St. Petersburg art in the city of Graz, Austria, which was the cultural capital of Europe in 2003.

A 2003 Slovenian language documentary written and directed by Zemira Alajbegović Pečovnik, starring Laibach.

In 1975, the Lebanese wars started when Maroun Bagdadi ended his first feature film "Beirutya Beirut". Did the war give an identity to Lebanese cinema? Productions of documentaries, action movies, actor films, co-productions, and emigration. Since 1975, the war has remained a major subject for feature fiIms shot in Lebanon. This is a history of stories about war and cinema.

An interview with film critic Annette Insdorf about Francois Truffaut's 1973 film "Day for Night."

Documentary about the late Chicago artist and musician Wesley Willis. Filmmaker Daniel Bitton follows Willis throughout the Chicago area, riding the bus, talking to friends and strangers alike, selling his CDs to record shops, and going about his day. Willis was memorable to many for being schizophrenic as well as 6'6" and over 300 pounds but was loved by his fans and friends for his quirky, oddball music, artistic talent, and for being a real gentle giant. He was a testament to the human drive to survive and create, as he himself was a survivor of extreme poverty, mental illness, child abuse, racism, and obesity. The fact that he lived to see 40 was incredible, but his having a successful music career and being able to function was even more so.

As Casey frantically prepares for a dinner party, she regales her friend Bee with tales of Sam, the new girl she is dating. Sam is great in every way, except for one maddening thing—she hums! No tune, just an absent-minded hum. Later, as the dinner party unfolds, Casey’s tunnel vision becomes obvious, only to be thrown off by a surprise encounter in the bathroom.

A parent training video on how to de-escalate bullying and interpersonal conflict in a school setting, taught by Dr. Sherryll Kraizer.

Quon Kisaragi was surprised when she saw an illusion of herself floating in midair. This other "self" of her claimed that she is a fragment of Quon. Thus an existentialistic dialogue began between the two.

The third part of the Eye/Machine cycle structures the material around the concept of the operational image. These are images which do not portray a process but are themselves part of a process. As early as the Eighties, cruise missiles used a stored image of a real landscape then took an actual image during flight, the software compared the two images. A comparison between idea and reality, a confrontation between pure war and the impurity of the actual. This confrontation is also a montage and montage is always about similarity and difference. Many operational images show coloured guidance lines, intended to portray the work of recognition. The lines tell us emphatically what is all important in these images, and just as emphatically what is of no importance at all. Superfluous reality is denied – a constant denial provoking opposition.

As they finish yet another long shift in the kitchen, six workers discuss their aspirations and failed dreams, while the boss upstairs counts his takings.

A suite of urban deserts scratches and cracks over and over at each screening. A breach of light opens and closes on mnemonic traces. The alternation of the film is done directly on the spot, the representation of the image is in perpetual confrontation.

Renaissance artist Leonardo da Vinci may be best known for his paintings, but engineers consider him just as much a genius for the machines he designed that were years ahead of their time. This film narrated by Richard Denton documents the attempts of modern experts to build some of da Vinci's designs, including a massive crossbow with arms 70 feet across and a glider that he imagined more than four centuries before humans first took flight.

Documentary built with homemade pictures about everyday life in the twentieth century.

How can one talk about death without showing the dead? Or, experience suffering without seeing the wounds? A possible answer is found in Amer & Nasser, a video-gram excerpted from a documentary on the 1991 rebellion of Iraqi people, which turned into a bloodbath: the slow pace of the images allows us not really an observation, and investigation, of the two martyrs identity, rather it poses the questions: Why did it all happen, and Where were we? The two blindfolded faces apparently emanate serenity and resignation, but they also hide a terrible anguish. The slow pace of time, This Time, marks the steps of the sentenced ones, and the pushes and shoves of the soldiers, like it had lost its way. The slowing-down of the movement leads the mind’s way into the maze of the afflicted soul. In front of the camera-spectator, the passage of the brothers led to an army truck, while a flute announces the imminent trespass of life into death, looks like one towards the unknown.