All Films

Legendary death industrial/noise project Atrax Morgue performing live in Modena, Italy, 9/12/1995.

Short documentary by Peter von Ziegesar.

A pornographic parody, Watching Lesbian Porn situates feminism as a means of manipulation in the lesbian world of dating. Armed with a selection of feminist texts by Judith Butler, Luce Irigaray, Laura Mulvey, bell hooks, and Andrea Dworkin, McLeod describes how flexible these texts really are. Meanwhile in the background, Ginger Discovery and Lucky Chopps give an over-the-top performance that is charged with campy choreography and sexy slapstick.

On April 15, 2000, on the day ten years after Greta Garbo's death, a cardboard containing about fifty letters was opened at the Rosenbach Museum in Philadelphia, USA. The letters were written by Greta Garbo and addressed to her friend Mercedes de Acosta. She was a playwright and screenwriter. But in Hollywood, she came to be best known for her love affairs, with some of the biggest female stars of the film and theater.

A celebration of Venezuelan folklore by experimental animation filmmaker José Castillo.

An CGI-Animated Short film by Raf Anzovin

Moscow students spend summer and winter holidays at the village in the Valdai, near the Volga's wellhead. They combine rest with scientific research of this land. Children open for themselves russian village, russian history, saint places. They comprehend Russia and their place in it.

A documentary that reconstructs, through the victims' testimony, the history of the most brutal clandestine center that operated in Mendoza from 1975 until the end of the military dictatorship. A document that provides information on the operations of the Mendoza Police Intelligence Department, which operated in the Police Palace, two blocks from the Government House. This material exposes those responsible for kidnappings, torture, and disappearances in Mendoza.

A young, down-on-his-luck film student takes his audience on an irreverent, self-deprecating journey through his innermost thoughts and neuroses. Shot in the winter/spring of 2001 in Milwaukee, Wisconsin, the film was shown locally but then shelved until 2005, when it made its festival premiere at the 23rd Annual Minneapolis-St. Paul International Film Festival. It then went on to play at several esteemed festivals and movie nights in North America and beyond.

A group of buddies are sitting in their backyard, having a couple drinks when a random onslaught of violence occurs

A documentary about the role of a local newspaper in the small community of Ulricehamn. Instead of focusing on the technicalities of newspaper production, the film shines a light on what really matters – why the newspaper exists, what it means to its readers and how it connects people in the community.

Documentary about the artist and musician Dennis Greenidge, includes interviews and performances.

Portrait of the brilliant Ukrainian artist against the backdrop of the 20th century.

A 25-year-old film student with a socially withdrawn brother films his family.

Fernanda spends the afternoon in an empty apartment.

Marit is afraid to return to her hometown, Kautokeino, after feeling ostracized because of her sexual orientation. After two years, she comes back, and we follow her as she meets her Laestadian mother for the first time since she left.

A fascinating rap on the 20th Century movement called Culture Jamming. Pranksters and subversive artists are causing a bit of brand damage to corporate mindshare. Jammers, cultural commentators, a billboard advertiser and a constitutional lawyer take us on a wild roller coaster ride through the back streets of our mental environment. Stopping over in San Francisco, New York's Times Square, and Toronto, we catch the jamming in action with Batman-inspired Jack Napier of the Billboard Liberation Front, Disney arch-enemy Reverend Billy from the Church of Stop Shopping and Media Tigress Carly Stasko.

Awaking the Gods: Live in Mexico is the first live album by the German symphonic metal band Haggard. It was released on September 24, 2001 by Drakkar Entertainment. It was filmed at Teatro Ferrocarrilero, Mexico City during the tour for the Awaking the Centuries album. The DVD contains footage from Teotihuacan between the songs. Due to technical issues the DVD audio is from the studio albums Awaking the Centuries and And Thou Shalt Trust... the Seer.

Shomõtsi is a witty and engaging Ashaninka Indian, a father who has raised his children alone. A neighbor and friend of the filmmaker, he discusses the Ashaninka uses of anatto dye, cassava and of Coca. Unlike whites, he says, Indians respect coca's medicinal power. Shomõtsi and two other elders go to a neighboring city to collect their pensions. They have to set up camp overnight waiting for their money and grumble about the materialism of the Brazilian shopkeepers. After making a few modest purchases, Shomõtsi gladly heads back to the village.

A single channel video featuring the American artist Andrea Fraser as she walks around the atrium of the Guggenheim Bilbao listening to the institution’s audio guide. After an initial shot of the entrance, the video shows Fraser wearing a short green dress and high heels picking up an audio guide inside. Once she begins listening to the guide the soundtrack changes so that the viewer also hears the same male voice as the artist (and without any background noise). Shot with five hidden cameras – one on Fraser herself and four others operated by assistants moving around the atrium – Little Frank and His Carp depicts Fraser from varying angles and proximities as she initially follows the audio guide’s instructions closely, her emotions visibly changing in response to the material she hears. Told that modern art is ‘demanding, complicated, bewildering’, she appears anxious, but when the guide tells her ‘the museum tries to make you feel at home’, she immediately seems reassured and happy.

In a stark, black-and-white world, no man is different until one of them loses his hat in a revolving door. He, alone among his fellows, now has a naked head

This video documentary centers on the questions of civil liberties and cultural differences in a society beginning to open as one woman searches for her own ethnic roots, identity and family history in Ukraine. Issues of human rights, anti-Semitism, homophobia, feminism and a divided and economically-depressed country are encountered as Barbara Hammer, a feminist activist and pioneer of lesbian cinema, return to a “homeland” full of struggling as people search for a new post-glasnost identity.

This powerful documentary explores the cruel realities of sweatshop labor and workplace injury in China, and one lawyer's mission to defend worker's rights.