All Films

A video art on Tony Scott's Spy Game

It Stinks Of Eyes Around Here is a Ginger Wildheart & friends acoustic tour documentary DVD. Shot during the Summer of 2011, the film is an entertaining 50 minute bootleg style look into the bands acoustic tour, both on and off stage – packed with interviews, behind-the-scenes tom foolery, songs, characters and highlights from the van journeys with the acoustic band; featuring Ginger Wildheart, ‘Random’ Jon Poole (The Wildhearts/Cardiacs), Jase Edwards (Wolfsbane), Chris Catalyst(Eureka Machines/The Sisters Of Mercy), Willie Dowling & John Steel (Jackdaw4) and Dunc (Tour guitar tech).

The documentary "Regensburg 3D" is the first film in the series "Germany in 3D." Shows the most interesting and popular of the city, as the Gothic cathedral and the stone bridge, but also beautiful images of the surroundings, as Donaustauf Walhalla near the nature reserve of hell in the Middle Bavarian Forest's Throat Danube near Kelheim.

Man flees from poor and war torn country.

Odete is caught between the past and the future. She goes on a journey, but remains immobile. She faces the abyss and wonders if she will make it out alive.

High School violinist Rachel begins to question her ideas about gender when she meets handsome genderqueer teenager Sammy. Rachel and Sammy form a band and combat the notion that "He" and "She" are the only options in this short with a rocking soundtrack. A lighthearted look at the power of an accepting group of friends to shake up the status quo.

A song of creation: immaterial space spawns volatile matter; obfuscated landscape emerges from splintering celluloid. Created at the Independent Imaging Retreat, the landscape is seen anew by 16mm hand-manipulation giving rise to a geometry of trees and meadows; the sonic score is subjected to similar direct manipulation.

The Southside Festival is an annual music festival that takes place near Tuttlingen, southern Germany, every June and in 2012 The Cure headlined the impressive list of acts.

The film guides the viewer through the process of making contact with a figure who exists only in his own photographs—70’s gay sex icon Peter Berlin. The film is structured in three parts, which were made chronologically. In the first part, the filmmaker appropriates Peter Berlin’s outfits and poses, playfully attempting to embody Peter Berlin’s artistic persona. Each frame of the original 16mm film was then hand-painted to distort the image, producing an animated effect that prevents the viewer from seeing the full performing body. In the second part, a voice over relates a story riddled with anxiety about a potential meeting with Peter Berlin that is paired with images of mansions and window displays. The third and final section is an interview with Peter Berlin in his apartment, describing a moment of exchange that crosses lines of gender and generation, a moment where the identities of two filmmakers briefly coalesce.

A ballet performance with special guests...

Discordant dysfunction down to the nitty griddy.

The story of Mongolia's Olympic archers, the artisans who make their tools, and the Buddhist calm that helps them stay on target. Filmed against the stunning backdrop of a Mongolian winter.

A New England boy who has recently lost his mother returns to a special place for the both of them and creates the world of his imagination.

ZDF.neo kultur record of In Extremo gig live at Wacken Open Air 2012

In addition to his work as an actor, John Cassavetes (1929-1989) was one of the great maverick directors of American independent cinema, his key films including Shadows (1958), Faces (1968), A Woman Under the Influence (1974) and The Killing of a Chinese Bookie (1976). This documentary by Doug Headline reflects on his life and work, through the eyes of key collaborators.

A man consumed by vengeance realizes the futility of his quest.

A man imitates a black-money drama, and a spirit appears in the video... A popular documentary horror series featuring 13 frightening images, including “Special Effects”.

A modern interpretation of William Golding's 'Lord of the Flies', set within the confines of a locked car.

A man. A wall. A hole. A prohibition.

In a society where dead had come back and it has become an everyday thing, a policeman, part of the anti-zombie special force is bitten by one of the infected. He then must find a way to continue with his daily life routine and with his work, which is killing zombies, even though he knows he'll become one of them.

Blankets for Indians blends a stereoscopic study of water spurting from New York’s City Hall fountain with an intimately detailed portrait of an Occupy Wall Street march. While in the process of shooting the fountain in 2012, Jacobs serendipitously turned his camera toward a large protest marching to Zuccotti Park in support of Occupy Wall Street. The unexpected connection gives the film new life, seamlessly moving between sensual observation and political commentary, reflection, and abstraction. Using freeze-frames, text, and 3D manipulation, Jacobs questions the contemporary conditions of socio-political struggle, its relation to aesthetics, and the labor necessary to produce both.

Since 9/11 nearly 3000 families will receive nearly 7 billion dollars in compensation from the Government and public donations. For many it has been anything but compensation. For many it has ruined their lives for a second time.

Appropriating a brief fragment from a 35mm print of an old Kung Fu movie, Never a Foot Too Far, Even is an action movie without action. Presented in double-projection, with images from two separate rolls overlaid to form a single image, this film focuses on an obscure figure finding himself in a forest path, caught between perpetual motion and stasis. The painterly images fluctuate in the complex shifting of color and texture, phasing in and out through a polymetric structure. It is a perceptual journey without destination in the turning sphere of ever-changing image and sound, whose beginning and end move in parallel towards a fleeting point of convergence. The palindrome of the title alludes to the structure of the film based on various combinations of a series of recurring sequences that move forward and in reverse simultaneously, defying the usual sense of progression. With original sound composition by Malcolm Goldstein.

An exploration of life, death, and identity through video, CGI, and animation. Found, performed, and commissioned.