All Films

"Flag as inapproriate". This unconspicuous button with a flag icon appears underneath every single YouTube video we watch marking the limits of our freedom in the Internet. Once flagged by anonymous users, after being checked by the also anonymous YouTube team, a video quickly disappears forever. In exactly this process, Dominic Gagnon intervenes. He 'saves' the flagged videos before they are deleted and adds them to a dark and mythological collage of American survivalism. People have their say, who deeply mistrust the government, who warn their fellow citizens, and who arm themselves visibly. An unclear image emerges. While the protagonists are scared of the almighty American government, the viewer is irritated what to find the most threatening in this "hell": the United States of America, the critics armed to the teeth with conspiracy theories, or the anonymous censorship power of the companies which control the web.

A boy. A girl. Through the looking-glass. Reflections. Absence. Memory. Being. Identity. A sense of loss.

A man caught by his own emotional weakness in the limbo between life and death must find acceptance in himself and follow the eerie calm and reassurance of The Voice into the eternal lake of Death.

A reconstruction of Man Ray’s Return to Reason (1929), Interval exploits dimensions of summer and winter while expanding time, questioning the process of the surrealist manifesto.

Through the looking glass one travels, and becomes immersed in a fiery pane of hand-painted wonders.

A fake documentary about the life and habits of non-terrestrial creatures that coexist 24hrs with a Narrator. Unlike terrestrial animals, whose instincts are focused on survival, the nature of these creatures seems to condemn them to a loss of time and energy and eventually, to an absurd and comical extinction.

Footage of Devil's Gate Dam insterspersed with text occultist text by Jack Parsons, co-founder of the Jet Propulsion Laboratory, who some believe opened a portal for dark energy nearby.

In Is there something else I’ve lost? the camera does not function as an instrument that illustrates a narrative. Instead, this film is a portrait of a character. The reality of this character is organized both through the camera movements and the editing process. However, who or what is “I” mentioned in the title?

A short experimental animation influenced by micrographic images of cells, acids, bacteria, and viruses using the technique of painting on glass and stop-motion animation. Ink, canvas, paint, glycerin, water, oil, and glass.

Documentation of a digital video sculpture from the artist's "De Luce [On Light]" series. materials: digital video of indeterminate duration, a 7-inch video screen, re-purposed plastic, 12" x 12" x 12." Light-struck film emulsion and unruly forces of nature intermingle in a diminutive replica of a greenhouse reminiscent of a child's dollhouse. Unfamiliar color and light sweep into and literally illuminate vegetative subjects to supply visible evidence of a surreptitious conspiracy between the artist, her materials, and photochemical occurrences. The digital video loops endlessly like events in the natural world even while they are contained in a structure designed for human dominance over Mother Nature.

When a bill comes between two friends, they go to lengths to make sure the other doesn't get to pay for it.

If Jack Kerouac wrote his legendary novel On the Road on a long paper scroll, why not do it on a long 35mm film roll as well? By re-typing the complete book –with the use of 35mm black leader instead of paper on a typewriter– this project attempts, among other things, to convert Kerouac’s romantic rhythmic writing method onto a cold and mechanical transcription in order to give the work new possibilities and readings that, when projected at 24 frames a second, although they do emphasize Kerouac’s intentions of immediacy, they transform the text into illegible blotches of letters that demystify and question language at its most elemental levels.

Get fab results with this condensed version of The FIRM Express. All it takes is four highly effective and sequenced moves combined with four rounds of Mini Bursts to start melting all over fat. Perfect when you're high on motivation but short on time.

A unique 3D ab training program using targeted exercises done standing, sitting, on your back and belly. The FIRM Express takes a science-based approach and infuses it with the latest studio techniques. A fun and effective core toning route!

16mm film negative sanded with surfboard shaping tools, sex wax melted on, squirted, dripped, splashed, sprayed and rubbed with donuts, zinc oxide, cuervo, sunscreen, hydrogen peroxide, tecate, sand, tar, scraped with a shark’s tooth, edits made by the surf and a seal while film floated in waves.

A portrait of the American percussionist Robyn Schulkowsky.

While prior Siblings episodes found the Moore family at home, Heartstrings takes us on the road. During a family road trip, the Moore family break down outside a bed and breakfast, where they choose to spend the night. Jeff Moore soon notices that Jim Morton, the owner of the bed and breakfast, seems troubled. Before long, Gator’s curiosity and sleuthing abilities find him cross ways with a mysterious stranger in the middle of a secret treasure hunt, trying to unlock a family mystery. Siblings Series!

Maria, 24, has a difficult week in her life, resulting in a big fight with her boyfriend. In a few days, she undergoes an inner transformation, in which her convictions are shaken. Carol, a determined and sensual woman, stays in Maria's apartment, awakening in the girl new desires that she did not know.

The film focuses on an audition to select an actor that best interprets the role of Jesus, judged by a jury of Vatican members.

Strikes at Time is a lucid dream, readings from a journal kept by a factory worker read by a group of proletarian writers, as we take a long walk into the discontinuous illumination at the edge of the city at night. In that no man’s land annexed by the awakening mind from the fatigue of the labouring day, the work weaves together a disquisition on time in the form of a discreet annotation on the philosopher Jacques Rancière’s The Nights of Labour, together with renditions of the found text of a worker’s diary by the CyberMohalla Ensemble, a group of unorthodox proletarian urbanists that Raqs has been in dialogue with over a decade. The shadowy presence of a Yaksha and Yakshi—guardians of wealth in Indic mythologies—stands watching over the work, marking time with questions.

Ñaalec (Fabián Valdez) is a Moqoit college student disenchanted with formal ways of learning and embarrassed by his drunken classmates. He seeks to recover his people's culture by learning from elders who still remember the old ways. Ñaalec travels to the Nanaicalo Nqote ("eye of the dragon"), a sacred lake whose water gave people the power of the gods. This docudrama is part of a series of community-created films supported by CEFREC (led by Iván Sanjinés, son of legendary Bolivian filmmaker Jorge Sanjinés).

In their small country home in New Brunswick, Jean-Paul and Anne, who suffer respectively from physical and intellectual impairments, share an unwavering love for each other. Declarations of love, little gifts, jokes and affectionate nicknames highlight their deeply moving relationship, a relationship that transcends difference. Together, they look after Jean-Paul’s ailing parents. With great respect for those who confide in him, Daniel Léger presents love through the eyes of two people with disabilities, and in so doing, creates an inspiring lesson in happiness.

A documentary about gay and lesbian parents in Switzerland and their children, their rights, duties and everyday worries - with critical statements by radical advocates of traditional family models.