All Films

The universe upside down, the form emerges from the light. The body emerges from the image. Everything becomes one. Digital critters vibrate and fly. The order is no longer the same….

Shortfilm by Ryu Kato

"ina unt ina" euro-electro-pop divas are back from windy tropical islands to offer you this perfect pop illusion for pleasure. The music is music, You are feeling the feeling.

Like most local young women, Xiaohua met Chunling, a young man from another village, through a matchmaker and chose a good day to get married. After marriage, they live with Chunling's parents. The young couple fall in love with each other and give birth to a baby boy. According to the requirements of the national family planning policy, first-born males in rural areas cannot have further children. But farmers have their own ideas. A family should not have only boys, but also girls. If there are no boys, they will do everything possible to have boys to continue the family line. Therefore, the township government sends a family planning team. At the risk of being fined, Xiao Hua becomes pregnant again. When she’s in labor, Chunling finds a midwife. They successfully give birth to a baby girl. To avoid being arrested, Chunling takes initiative to pay a 3,000 fine. The couple leave their children with family and go to work in Beijing. (Shot from 1996-2007)

Experimental film depicting construction developments at Beard and Dwight St. in Brooklyn, NY, 2004-2007.

Digital Video

"Awash" is a song for the mortal, depicted through images of, within and around water.

A woman explains her distaste for the use of underwear.

“I made The After Life using images out of a tiny mini-camcorder called a Flip that I bought on amazon.com for $98.00. All I did with the material was work with arrangements of frames along a timeline to setup what Eisenstein called “collisions” (for him a colliding of shots, for me, a colliding of frames). On rare occasions, Eisenstein substituted the word “copulation” for the word “collision” in describing the dynamics of his montage theory. In The After Life, it’s all copulation all the time. Bodies attract, bodies intersect and new creatures stream forth. In The After Life uninhibited promiscuity is what makes the world go round. It can’t be all bad.” (FW)

2006 was the Bears' best season in 21 years, as they ended the regular season just one win short of the Super Bowl. Relive every moment of the powerhouse season in which head coach Lovie Smith delivered on his plan to return the team to glory. Rex Grossman led the hard-hitting offense with 23 touchdown passes, while Devin Hester earned an NFL record for most touchdown returns in a single season in his first year with the franchise.

Miss Congo 2007 3 channel video, sound 4 minutes 44 seconds

One of the finest singers England has ever produced, Sandy Denny was a linchpin of the original Fairport Convention. Delivering, alongside Richard Thompson and Ian Matthews, a radical mixture of Dylan covers and Renaissance music, she helped make Fairport leaders of Britain's '60s Olde Musik revival. These BBC performances were recorded 1971-73 and feature Sandy promoting her solo material with great performances that are often better than the slightly over-produced studio versions

In 0, Seoungho Cho literally counts cars speeding down a freeway. The interwoven and digitally rendered content — cars, the sounds they produce, numbers superimposed upon them — creates a dynamic investigation of the mechanics of the moving image. 0 combines the excitement of a motor-sport video game with the rigor of video art image-processing to produce a vigorous insight into the way images move.

"The medium is simply a technical and conceptual means of enacting specific ideas. For example, if I were to represent a guy floating in a swimming pool, I wouldn’t do it with a drawing. I would choose film and I would use French fries and a soccer ball to make his face." – Anne-Marie Schneider

Experimental Super 8 short by Kenji Onishi.

Underground cult film by Saruyama Norihiro. Octopus or human? Due to close-up photography followed by a huge amount of shortcuts, the two subjects overlap and confuse in the film and can no longer be distinguished. The eerie image creates an extremely grotesque world that invites curiosity like a freak show. "Prison Festival" (1996-2006)

‘ Paddington Collaboration ’ was shot on 16mm film one morning in and around a flat in Paddington , London. Inspired by a history of formal film experiments the artists imposed a structure with each controlling roughly half of the content. Fowler drew from classic ‘room films’ to document a journey from the interior of the upstairs flat to the front door of the building. McLauchlan then explored the surrounding area, following this exploration with shots of Fowler in front of the places he had previously captured. Fowler asked McLauchlan to draw over the first half of the film, instead she wrote about the events of that morning, a text that then forms the sound track. The narrative reveals the physical and temporal structures that guide this collaboration , together with those that shape expectations of what it means to contribute to this type of film.

The one-hour special uses the Quran as its main source, and draws on interviews with scholars and historians. It features commentary from Hamza Yusuf, who was filmed quite extensively for this documentary.

Meet the babies of the National Zoo -- the golden lion tamarin, the Sumatran tiger, the kori bustard, and the sloth bear -- cute, cuddly and born to be wild!

Skull and Blackberries, which was created by laying blackberries on raw film stock and then exposing it to the sun for two to three days.

The Hummingbird features “direct sound,” which uses marks in the optical soundtrack area of 16mm film to create sounds and rhythms.

A human reincarnated as a maggot begins to explore the potential for his new existence and slowly succumbs to the routines of his form.

Paratodos, speech to the University Council of the Fluminense Federal University in May 2007 against the privatization of Unitevê - university channel of Niterói and the dismantling of the University's audiovisual by the Rectory.

Experimental short film.