All Films

A lone survivor wanders around his street killing zombie clones

"One-woman recreation of the final scene from Baz Luhrmann’s 1996 movie adaptation of Shakespeare’s teenage romance" - Ana Finel Honigman via ArtNet

Short animation by Astrid Riegerand Zeljko Vidovic

In February 1996, the first shots of Nepal's civil war rang out across the Himalayas. Ten years into the conflict, more than 12,000 people have lost their lives as Nepalís ruling monarchy battles with Maoist rebels seeking to establish a communist republic. The civilian population, meanwhile, is trapped in the middle. This film, containing unique footage, is a rare glimpse into a struggle most people know little about.

In Big Gurl, various shades of Barbie like dolls are brought to life with clay to form malleable characters that navigate viewers through mundane situations that occur in public restroom stalls and behind fast food kitchen counters. An earthy narrator is employed to lead a cast of inert beings through various vignette about the durable nature and limits of human strength.

Take a journey into some of the most dangerous hoods in America and witness first-hand the largest collection of real street fghts and shocking gang violence ever assembled on a single DVD. Never before seen footage of convicts, gangsters, pimps, thugs and killers battling each other in the streets. You'll see crowbar attacks, police evidence assault videos, 1 blow KO's, ghetto girl fights, lynch mobs, drug dealers, race wars, vicious head-butts, convulsing bodies, and some of the scariest beatdowns ever caught on tape. This is the graphic truth about the violent world in which we live.

This short video was shot in the urgency of the Israeli war against Lebanon in July 2006. It sheds light on how the Lebanese would go about their daily lives during and right after the war. Far from the bombastic frenzy of media broadcast, the tragedy of war is recorded with compassion, simplicity, and even humor.

Dachau was one of the worst and most notorious death camps and the scene of hundreds of medical experiments carried out on inmates. Initially filled with Communist and Jewish inmates, Dachau's doors were soon opened to many ""undesirables"" that the Nazis wanted to eradicate. Included is unique footage now available for the first time on DVD documenting Dachau and Sachsenhausen concentration camps.

True story of a mean girl turning 19 on the 1st of January.

Shot over several days in September 2006, when Singapore hosted the World Bank and International Monetary Fund Annual Meetings, Speakers Cornered captures the thwarted attempts of nonviolence activists to protest peacefully at Speakers' Corner, a park designated for those with the urge to mount their soapboxes - though, as per the Singaporean way, not without first securing police blessing. In Martyn See's latest film, the park's legendary status as a white elephant without clothes is cast in cold hard stone. Living up to its title, its seventeen chapters reveal that to be shackled in Singapore is no metaphor. Stunning and yet strangely amusing, the litany of oppressions catalogued in Speakers Cornered are nothing if not an embarrassment to Singapore. Singapore's authorities have seen the events that unfolded that week. Why shouldn't anyone else?

This short video was shot in the urgency of the Israeli war against Lebanon in July 2006. It sheds light on how the Lebanese would go about their daily lives during and right after the war. Far from the bombastic frenzy of media broadcasts, the tragedy of war is recorded with compassion, simplicity, and even humor.

Conceived by the artist as a social research project in a housing complex in the suburbs of Budapest. During the course of May 2006, Erhardt rented a shopfront space on the ground floor of a high-rise building and started renovating it. The resulting film documents the artist experiencing the potential of his own interventions in a sensitive social setting. By including the proposals of neighbors and passersby for intermediate use of the space, Erhardt’s film is an attempt to shed new light on a community suffering from prejudices and imposed stereotypes, while the work analyses the construction of a social reality in post-communist Hungary through the portrayal of an “Advice Seeking Office”. At the same time Havanna also addresses issues of artistic failure and success, promise and lost opportunity…

An irritated King Kong, shown as the alter ego of the artist, satirically destroys New York City.

The greatest sculptor of the 19th and 20th century as seen by the greatest British sculptors of the 21st century.

A mechanical toy figure dressed as an American soldier bends and sways, playing God Bless America — the sentimental, unofficial, and highly favored national anthem during World War II — on a bugle. The camera pans down, revealing that the toy’s camouflage-clad trouser leg has been rolled up to uncover a mechanism that looks uncannily like a prosthetic limb!

Just when twilight gathers the day's lingering colors, fresh air musicians can be overheard in the process of nocturnal arrangements, and musical scales swell the space where cars had parked from 9 to 5. Four times a week the band players congregate here to practice their instruments.

"Images in this five minute animation are drawn, erased and redrawn on the same piece of paper. The erased pencil marks leave a trail as shapes move across the page. The shapes represent flesh separated from the body then thrown in the air, pulled apart, squeezed, and jumped on. Looking back, I realize that I was going through a mid-‍life gender identity crisis and the only way to work it out was to take my body apart and put it back together again in a form that I felt comfortable with. It seems to have worked. The images were captured with a digital still camera. The movement of the camera lens and the shutter made it impossible to register the images so my animator, Carolyn Stockbridge, and I used a camera with a removable manual lens and we locked the shutter in the open position. While we solved the problem of movement, the camera's exposure was randomly off and we had to go back and manually adjust the brightness of most of the images." -N.R.

A story of Shyamal: a runaway, a pickpocket & a tiger's cub.

A young man struggles with the thought of suicide by talking to a version of himself.

The Katrina animal rescue was a hard and emotional experience for all the people who were involved in it. Unlike the happy reality portrayed by large welfare organizations, the day-to-day reality was gruesome and deeply disturbing. Companion animals were left behind in New Orleans, dying of dehydration and starvation because the local animal organization in New Orleans (LASPCA) did not have a plan of action to go out and save people's pets in New Orleans, Plaquemines, and St. Bernard parish. Katrina has exposed the dire conditions of animal welfare in Mississippi as well with the animal shelter in Waveland, which clearly contrasts with well-run shelters in Gulfport and Tylertown.

In his GRAAS video, Siegfried A. Fruhauf begins a hypnotic odyssey based on the musical work of the same name by Attwenger. A forest grows abruptly in front of us, the tree trunks carving caesuras into the image and - like all the other components of the video - tend to block our view.

A couple sensually kiss in a bedroom, to Billie Holiday’s sound.

A trip into Paris by the elevated railway, some tree’s whirl and a young girl. An ode to the elements’ natural movement.

Movie that came with 1st pressing copies of 7th frenzal rhomb album "Forever Malcom Young