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Tetris: The Movie

Tetris: The Movie

2002 • 43 min
A movie version of the game Tetris that is mostly just games of Tetris.
Ich, der Uberlebende

Ich, der Uberlebende

2002 • 13 min
The Disney Studio Album: 1960

The Disney Studio Album: 1960

2002 • 5 min • United States of America
An overview of the year 1960 at Disney featuring clips from the year's film and television releases.
Search for Hamlet

Search for Hamlet

2002 • 22 min
A journey of the filmmaker, Wu Wenguang, somewhere in China, and his view of public life in the cities and villagers. He meets some of his friends, a gay man in Beijing, and a lesbian couple in Shanghai.
Insult to Injury

Insult to Injury

2002 • 4 min • France
A young girl falls in love with another girl at first sight. But the girl is straight, so she has to deal with the homophobic reactions of those around her.
Here, There

Here, There

2002 • 27 min
Short film by Kayo Takefuji.
Vieni

Vieni

2002 • 3 min • Italy
A video by Monica Petracci and Silvia Bottiroli
Deep Blue Ocean of Emptiness

Deep Blue Ocean of Emptiness

2002 • 3 min • Italy
A video by Bianco-Valente
Tourist Trap

Tourist Trap

2002 • 2 min
Dir. Nick Kondo
Soupirs d’écumes

Soupirs d’écumes

2002 • 30 min
The twilight and half-closed vision of the blinding bursts barely reveals fleeting and luminous unexpected phosphorescences, through and through the scenery, like so many flashes of understanding, promises of famous colors to come...
Lo Specchio

Lo Specchio

2002 • 2 min
Video installation by Carloni-Franceschetti.
L'esprit de l'ancre

L'esprit de l'ancre

2002 • 53 min • France
"Bayini is a great spiritual woman she started to talk, to dance, to sing. She made everything around, all that comes from history. The vision and the dream she was seeing is the Anchor". Murrmurrnga Burarrwanga, his grandmother Gaymala Yunupingu, and their family established at Bawaka, Port Bradshaw, in North Australia, tell a story related to a precolonial (at least several centuries ago) experience of trade between their people, the Yolngu from Arnhem Land, and "fishermen from South-East Asia: the Macassans who used to collect trepang in exchange for rice, tobacco, pipes, knifes and canoes". Body language, paintings, songs and dances accompanied by the didjeridu give us an insight into their system of knowledge based on a very complex network of spiritual connections between people and the environment.
A-da-da

A-da-da

2002 • 21 min
The film endeavors to tell of the relationship between a Korean-born foreigner in America and his father in Korea, separated both culturally and generationally by the communication gap between them. In Korea, A-DA-DA is an onomatopoetic name given to a person who stutters. A-DA-DA is conceived as a stuttering film, not a film about stuttering.
Saraban

Saraban

2002 • 6 min • France
Work on speed, rhythms, flickers and color, whose «main tendency should be to serve Expression as fully as possible». The idea for this film was born during experiments on the film strip, with the Nominoë collective.
Le repas des esprits

Le repas des esprits

2002 • 30 min
On Réunion island, inhabitants of Malagasy origin perform a ceremony in honor of their family's ancestors twice a year. The ritual in this film takes place at the home of Madame Sautron, a soothsayer-healer. The film follows the four stages of the ceremony, which lasts for 24 hours in all.
Femmes Tiv du Nigeria

Femmes Tiv du Nigeria

2002 • 31 min
In Nigeria, in the villages of Apir and Fiidi in the state of Benue, the women of the Tiv ethnic group struggle daily to improve their lives. As a result of their work in the fields and the sale of their harvest at market, most of these women have been able to attain economic independence. In 1987, the Nigerian government, prodded by the United Nations and women's organizations in Nigeria, developed a program for supporting women in rural environments called the "Family Support Programme," which encouraged them to organize more effectively and to form co-operatives. Several representatives of the government and the Programme present the broad outlines of this project, and talk about the women's investment and the problems they have encountered. The women describe their role in these co-operative associations and how they view this collective work and its benefits, which enable them to improve their socio-economic situation.
no subject

no subject

2002 • 4 min
no subject is a 2002 released short film by Margarida Paiva
M Katsuo Town

M Katsuo Town

2002 • 6 min
16mm short by Masaru Noto.
Dustin in Fowl Play

Dustin in Fowl Play

2002 • 49 min
Dustin and his friend, Snotser, put together a boy band called Mankind featuring band members Simon Murphy, Paul Barry, Ronan McDonald, John McCall and Chris Miller.
Moción de orden

Moción de orden

2002 • 8 min • Chile
"Moción de Orden" is one of the video pieces corresponding to a video installation by the artist Lotty Rosenfeld. In the work we see the image of a maritime oil platform in the South of Chile, the image surrounds it, flying over. You hear the constant sound of the helicopter, and a voice-over text at the end.
A Sentimental Journey

A Sentimental Journey

2002 • 15 min • South Korea, United Kingdom
A short film by Rhee Hun
肉食獣 Ham

肉食獣 Ham

2002 • 2 min
Experimental Super 8 short by Kenji Onishi.
Junji Inagawa: The Files of Terror 2

Junji Inagawa: The Files of Terror 2

2002 • 57 min • Japan
An omnibus of real-life ghost stories and dramas told by Inagawa himself. Includes "The Girl in the Neighborhood" and three other stories.
III Crossing

III Crossing

2002 • 1 min
A city’s urban architecture and spatial design often dictate the primary mode of getting from A to B. In LA the done thing is driving, whilst in Amsterdam you get on your bike and in Tokyo the main means of transport is rail. In these two video works, Junebum Park hones in on two distinct forms of getting oneself to a new location: on foot or arriving by car. Filmed from above, both works show the graphic patterns of urban planning in the form of the white lines of zebra crossings and parking lots, being used by city dwellers. Seen from this birds-eye view the humans become like bugs and Park plays with this scale further with the introduction of his hand, about ten times larger than the ant-like people, directing the action. As the viewer we see the scene from Park’s viewpoint, as the omni-present, all-seeing entity in charge.