All Films

Four friends are reunited at a funeral.

The projected image is constructed from deteriorated colour film (old loops from the the installation Little Girl), the agitated rhythm of the movements of colour and form underscore the movement of the spectator and the rapid eye movement. To renforce the movement the film was edited in a series of mirco-loops, similar material was assembled to create a sense of progresssion and familiarity with the image, brief passages of figurative material were kept as a sort of visual conterpoint to the flow of the abstract colour sections. This duality of material seems to change the speed of the images we percieve a double dynamic dynamics produced within the same material.

Super 8 film by Masaharu Oki.

Cows in frenzy

Ghosts of matter, luminous traces, original worlds, made of internal sedimentations, surface, merge, vanish.

Short epic fairytale inspired by the 900 yrs old manuscript written by the Georgian monk, Shotha Rustaveli. The work is a cinematic intervention into painting honoring the byzantine poetics and Georgian lineage.

A dense montage of graphics, charts, and animations, Industrial Synth takes up the tradition of the experimental essay film and flattens it into an oblique composition that reflects on the technological and consumerist dimensions of Modernity. Negating cinematic elements of narrative, performance, and conventional signification, Price's video nonetheless conveys a sense of the pathos of a contemporary digital society, which, despite its promise of the new, relentlessly circles around issues of obsolescence and death.

"In a way, making street films is daydreaming with a camera. It's capturing a fantasy you're having when you're wide awake and life is going on around you. There is, of course, a similarity between daydreaming and making any kind of art because they both spring from that narrow groove between the subconscious and the conscious. That's when self-expression and technical problem-solving both flow together in an almost mystical way. For me this film represents that mental state. I shot it in late July 2001 but put it away for some forgotten reason. It's very much about everyday life–a nondescript New York neighborhood on a calm Sunday afternoon, garbage cans piled high, feet reading here and there . . . but it's also about the magic I can see in that world when I free my subconscious. I made this film so effortlessly (I just cut out one brief shot) because I was so fully in that mindset, which, I think, shows in the nature of the images."

Compared to analogue b/w-photography and my experimental work in the colorlab, I tried to find out, what digital photography and computer processing is able to do, what the other techniques can't. We asked ourselves how does abstract film begin, what's its progress, how does it create suspense and how does it end? My model was the division of acts in greek tragedy. The length, the division of the different parts and the different cuts. The first abstract film made from pictures of plants was a purely abstract exercise, without any symbolic meaning nor background. The name stems from a misspelling of my Turkish flowersalesman, which I copied by accident. It is an abstraction of an Ilex twig. Another difference to all the other “flower pieces“ is that the film was made with a graphic-programme, that means each picture was constructed seperately, 25 pictures per second. That makes 4500 pictures which I worked on. Technically it is an animation film.

Concordia College's 75th Christmas Concert is celebrated on this recording. Walter Cronkite narrates the introduction. The 2001 Christmas Concert, O Holy Night, comes to your living room!

An experiment with orientation movement and shape combined with musical improvisation. A continuous rolling, tumbling motion determined by a geometric shape creates a visual rhythm and images that roll, dip and soar with the improvised soundtrack.

Father Sao Roberto is unique among many foreign missionaries dedicated to the Korean democratic movement.

Cradle of Sun

Skaters: Damian Smith, Eric Bork, Jayme Fortune, Mike Frazier, Ron Whaley, Ryan Parsons, Stacy Lowery, Stefan Attardo, Tim Brauch. Soundtrack: Steffan Attardo – Billy Idol Dancing With Myself. Eric Bork – Bjork Cover Me. Mike Frazier – Beatsteaks Panic. Ron Whaley – Sister Nancy Bam Bam. Ryan Parsons – Onyx Shut ‘Em Down instrumental. Damian Smith – Dave Brubeck Quartet Far More Drums. Stacy Lowery – Creedence Clearwater Revival Fortunate Son. Jayme Fortune & Credits – Jets to Brazil One Summer Last Fall.

Jimi Hendrix: Live At The Filmore East features the only known color and black and white rare footage of the group in concert, including "Machine Gun", "Who Knows", "Izabella", "Fire", "Foxey Lady" and a musical soundtrack which exclusively includes additional performances from the guitarist's December 31, 1969 and January 1, 1970 concerts which have not been included as part of Band Of Gypsys or Jimi Hendrix. Live At The Filmore East.

A board game featuring the characters from Jonny Quest as they set out to save Dr. Benton Quest from an octopus.

An experimental documentary account of a butch dyke's journey to trans man, succinctly summing up the complexity of this journey in under 2 minutes.

Multi-channel video installation (4 overhead projectors, 19 TV sets). Yang Fudong captures the poetic sentiment that arises in moments of individual encounter with the real world, and his own expression of the world inside him. His artistic practice engages in a temperamental dialogue with the traditional culture and literature of China. Yang Fudong constructs a potential platform for dialogue and negotiation between the self and external reality. In so doing, he does not propagate ？xed believes or dogmas. His work is based on process, on what he learns from ceaseless study, observation, and involvement with his social environment and the way it relates to the individual.

Short documentary on gentrification in the east end of London, by The London Particular (Benedict Seymour & David Panos).

EXEKUTIERT is about a liquid substance which, when drunk, causes a transformation.

Often sexy, sometimes profane-but always provocative-Vermilion Pleasure Night is a variety show that stands out even by the offbeat standards of Japanese late night television-required viewing for the Japanophile, the college student, and the urban hipster!

Often sexy, sometimes profane – but always provocative – VERMILLION PLEASURE NIGHT is a variety show that stands out even by the offbeat standards of Japanese late night television---required viewing for the Japanophile, the college student, and the urban hipster!