All Films

Richard Kuklinski was a devoted husband, a loving father...and a ruthless killer. A decade after HBO last visited him in prison, the convicted murderer, who freely admits having whacked more than 100 people in cold blood, takes viewers back inside his cold, calculating mind. In this follow-up to America Undercover's 1992 film The Iceman Tapes: Conversations with a Killer, Kuklinski provides all-new insights about his exploits as one of the Mafia's most notorious assassins...and reveals some shocking confessions for a number of previously unsolved murders.

Christian Argentino assisted Jacques Rozier for two years on the set of 'Fifi Martingale', his last feature. A close friend of the director and an admirer of his films, he made a documentary in which, unusually, we can see Rozier working and talking about his oeuvre. Also invited are several longtime collaborators (Jean-François Stévenin, Jacques Villeret, Yves Afonso, and Bernard Menez) to talk about Rozier and their experiences working with him.

Can any of those who claim homosexuality is "unnatural" explain this beastly behaviour?

The Secret History of Hacking is a 2001 documentary film that focuses on phreaking, computer hacking and social engineering occurring from the 1970s through to the 1990s. Archive footage concerning the subject matter and (computer generated) graphical imagery specifically created for the film are voiced over with narrative audio commentary, intermixed with commentary from people who in one way or another have been closely involved in these matters.

Luxor Spawndroth uses "Hypno-Hack by Micro-Harsh" (the first name in villainous software) to send Cypher and young student Riley Watson back to their old lifestyles of unkindness.

Prior to any other treatment, the emulsion is covered with layers of chemical products, resulting in a black filmstrip. "The black leader can be anticipated as Malevitch's white painting: a space in which everything is possible, the space of absolute potentiality and virtuality." This is because cinema, contrary to painting, gives light to its own image, via the lamp projector. This is not about covering a blank surface with forms and colors since they already exist on the black film. Whilst ALL OVER is a film made without "instrumentation" (like a camera), it also differs from direct films in that the film remains untouched by any tool (not even the hand). As in dripping, materials and color are spontaneously laid down on the film in semi-controlled gestures, which create a shower of colored dots. The soundtrack functions according to the same principle: the sound, in all its expressions, is formed using one single formal element.

Film critic and presenter Mark Kermode explores the fascination and praise audiences, fans and critics have behind the classic The Shawshank Redemption (1994) and how its importance grew higher over the years despite being an overlooked film when it was released and not getting any Oscars victories when it was nominated as one of the Best Pictures of the Year.

Lost In TV is a complete collection of Suede's music videos, arranged in chronological order. It reveals a band that has fallen repeatedly in and out of love with the video medium over the course of four albums. It begins with a low-budget performance clip for their first single, "The Drowners", in which all Suede's members are clearly, and rather endearingly, putting on poses they've been rehearsing and imagining for years. And it ends with "Can't Get Enough", which they couldn't rouse themselves to turn up for, instead allowing the song to soundtrack a short, though undeniably amusing, film about revenge. In between the quality varies with Suede's enthusiasm. Some of the videos here are every bit as awful as the band think, especially the altogether bewildering "Stay Together". Others they should give themselves more credit for "The Wild Ones", for example, retains a haunting quality that was worth any amount of plodding around a freezing Dartmoor.

For HBO Reverb, Weezer (under the name Goat Punishment) performed at the Knitting Factory in Los Angeles, California on October 24, 2001

The title comes from a poem of a German poet, Heine. The 9/11 event was so beyond my comprehension – you can understand and react to a death of one, or two persons‚ but I could not react to the death of 2500 people – it was an abstraction, a fairy tale – that’s why I framed my 9/11 film (shot from my roof) with the fairytale, with the image watching this story, the story of 9/11. Like any other fairy tale coming from the past – by this girl this child dreaming, listening, and dreaming about the tales coming from the past. ―Jonas Mekas

Kirsty MacColl's last television concert, filmed in Glasgow in March 2000. With songs from MacColl's last album, Tropical Brainstorm, alongside such classics as New England and Walking Down Madison

The day Clinton visited Norway, my girlfriend broke up with me.

A DVD Special Feature documentary on the experience of turning the chilling novel "Red Dragon" into a motion picture, all told through the actors and director of the first interpretation on film of the hideously complex Hannibal Lecter. Features interviews with Director Michael Mann, and actors Brian Cox, William Petersen, Tom Noonan, and Joan Allen.

A Film by Oriol Sanchez

From Paris to Tijuana and Detroit to Barcelona, in a big venue or an intimate dive, the equation is sure to be the same: Manu Chao + Radio Bemba = an explosive cocktail. An explosion of joy. Sweating, shouting, jumping… songs coming one after another at the speed of light… a short pause… then a loud surge of rock & roll.

This video artfully weaves together a sort of history of Magnum Photos, one of the world's premier photo agencies, with a fresh look at where new Magnum photographers are taking the group. Magnum is more than a traditional photo agency, though, which is not widely known. It is a cooperative of photographers founded in 1947 whose original members tended to focus on documentary-style photography. This focus has developed over the years to become almost an ethos: to compassionately record the human condition.

A journalist and a photographer drift on their way between Beirut and Baalbeck. Their journey is repeated three times in three different ways to evoke current issues and confusion in Lebanon’s present state.

In "DST", Canadian porn icon Peter North helps shed some light on the confusing issues of road safety in the 21st century. Mr. North is one of the pornography industry's most cautious drivers, and as a role model for today's youth, he helps steer kids in the right direction.

The hard life of lesbians during the fascism in Italy, when the woman had value just due to the mother role and the word "lesbian" cannot be pronounced. 5 women as witnesses.

A crime is defined as an act which follows by a punishment, according to applicable law. Therefore it can not be a crime unless you are punished. But then it will not be the perfect crime either. Just perfect.

Bucky Pizzarelli leads a strong quintet through this intimate live set at Makor, a Manhattan night spot. The seven-string guitarist is always game for anything, and with a superb group -- including nearly everyone's first-call bassist, Michael Moore, clarinetist Allan Vaché, vibraphonist Peter Appleyard (who previously worked with Benny Goodman, as did Michael Moore and the leader), and drummer Bernard "Pretty" Purdie -- the veteran leads his group through seven favorites from the swing era. The set sounds very relaxed and informal, as if the musicians were playing for their own fun and had no idea tapes were rolling. A snappy take of "Perdido" and an extended workout of "Limehouse Blues" are but two of the memorable tracks recorded that evening.

A concert performance by "Lady Soul" Aretha Franklin, as well as Mary J. Blige, Marc Anthony and Jill Scott. From Radio City Music Hall in New York.

David Sanborn Band : David Sanborn, Marcus Miller, Ricky Peterson, David Gilmore, Gene Lake, Don Alias // Special Guests : Lou Reed, Boz Scaggs, Joan Osborne, Naughty By Nature, Dr. John, Isaac Hayes

I made this video June 23, 2001, as a letter for my good friend Penny Arcade who some days earlier had asked me why I love New York. I truly love New York! This letter to Penny Arcade is my love letter to New York.