All Films

A foot fetishist gets his dream job at a shoe store, where he meets a woman customer with a shoe fetish.

Transform your boring old TV into a delightfully glamorous aquarium

Science Documentary hosted by Mathew Zajac and published by Channel 4 broadcasted as part of CH4 Equinox series in 2000 - English narration At the dawn of a new century, a new theory is being born. It threatens to demolish the foundations of 20th century physics. Its authors are two of the world's leading cosmologists. If they're right, Einstein was wrong. It all began when Andy Albrecht and Joao Magueijo met at a conference in America in 1996. This program began from Newtonian view of the universe then takes you through the General Relativity and the Flatness problem. This leads to the Horizon problem and its solution, the Inflation theory. However modern astronomy doesn't stop here, the Inflation theory has its flaw too, and what happened before the big bang? This can all be answered by changing one thing, the one thing no body dare to question until now.

The New York City summer is fueled by the sultry emanations of hot air that tumble off the tongues of potential thespians as they attempt to decipher the gastric guesswork embedded in the prose of the pre-production process. The video camera flits across the boroughs of NYC in a splash-dash sojourn of sumptuous banquets and bohemian bombast, while the down-to-earth wisdom of the seeing impaired helps to guide the protagonist into detours of wisdom befitting his putrid project. A theatrical play incubates in the balding head of the videomaker and as its presence makes itself felt among the various victims of his vision, we share with them the horror of advancing age and the descriptive diatribes toward the destiny of the decrepit damned.

One of music's most magnetic performers, George Benson shines in this live performance. Recorder at Waterfront Hall in Belfast, Ireland this performance highlights the versatility of George Benson. With guest appearances by jazz legend Joe Sample, the BBC Big Band, and musicians from the Ulster Orchestra, George delights his fans with his straight ahead jazz hits, contemporary R&B classics, and fresh interpretations of elegant and timeless standards.

The legendary Robbie Williams performs at Slane Castle

Yellow Fever takes you inside the Benson and Hedges Jordan team; the Jordan factory, the launch of the EJ10 at the Theatre Royal, Drury Lane and the car's first run at Silverstone. There are interviews with Eddie Jordan, Heinz-Harald Frentzen and Jarno Trulli, as well as other members of the team. This is your chance to see new and exciting footage which takes you behind the scenes of Jordan Grand Prix.

In A Hundred examines the experience of time; both as an ongoing linear progression, as well as a circular pattern of remembered fragments. The work puts forward the notion that "real" time encompasses both; one seemingly measured and mathematical, the other incalculable and personal. It is in the fragmented past of memory that the work places its sympathy. As time moves on the mind gathers an ever increasing bank of stored moments. The place of memory can at times be haunting, but it is also the only place where loss can be momentarily appease.

Richard Hobert, the director behind the Seven Deadly Sins series, was long silent about the sins described in these films. One summer evening in Österlen in 2000, he revealed the answers. Richard Hobert himself and the protagonist Göran Stangertz also reveal new breathtaking depths in the films when they openly and bravely tell why it was a vital necessity for them to carry out the project.

Blow Debris similarly suggests narrative but prefers to offer it in the form of a drifting, almost aimless experience; the piece enacts a passage or journey as we follow a group of nude wanderers in a desert landscape. As with Electric Earth, what could be postmodern anomie becomes celebratory drifting. Aitken spurns a romantic nostalgia for a pristine past and its untrammeled landscapes in favor of the stories suggested by the discarded remnants and detritus that litter the expanse of the Mojave Desert. He also fetishizes the feeling of the desert. Even in the cool, dark space of the gallery rooms housing the huge projections, you sense the lassitude of the characters and time seems to slow down. And then things explode, time reverses, and you are compelled to walk around some more, from dislocation to relocation and back again.

The documentary film GIRL GONE BAD is a wild ride into the extraordinary world of female motorcyclists, an amazing group of women few people know anything about, with hard-core biker Dusty, a native-born Apache, ex-felon, ex-go-go dancer, and a single mother of three as our guide.

Mr. Bungle Live at Bizarre Festival (Germany) in August, 2000.

The ghost of a young woman starts to attack men and suck all the energy from them, resulting in death. To deal with this threat, a paranormal activity unit led by a man named Kagami is dispatched.

Here's to You, Charlie Brown: 50 Great Years is a documentary television special featuring a tribute to Charles M. Schulz and his creation Peanuts. This was the final Peanuts project that Charles M. Schulz ever worked on before his death, and it was originally aired on the CBS Television Network in 2000 making it the last Peanuts special to air on CBS.

Although at first sight this might look like a simple ‘making of DANCER IN THE DARK’, the later developments in the film reveal the whole drama of Lars von Trier’s inner life during the shooting process. All his doubts and insecurities in collaborating with the crew and actors - especially actresses - are exposed. The biggest drama started when Björk walked off the set. Nobody knew whether she would be back or not. Admitting that he feels threatened by women, who can ‘make him feel embarrassed’, the director gives this documentary the nature of a personal diary. When he discusses the importance, purpose and beauty of the use of a hundred cameras in a certain sequence or the meaning of the Dogma 95 rules, the audience is witnessing the process of the artist’s search. Is the pain that the director went through during the shooting really visible in the final result, as Lars von Trier claims in this film? (from: http://www.idfa.nl/)

Trouble at the Top was a business-based BBC television fly-on-the wall documentary broadcast series, produced for BBC2. A spin off four-part series, Trouble at the Big Top. followed developments at the Millennium Dome in a similar style.

A surrealist home movie, filmed by Luis Buñuel in Cadaqués in 1930, focusing on Salvador Dalí's father and his wife.

Chen Da, born in 1905, learned traditional Taitung-style songs as a boy. Working as a cowherd and fisherman, he travelled from Hengchun to Taitung. He began his career as a wandering minstrel at 20. Homage to Chen Da portrays his life and singing in various settings, including his hometown and the well-known musical venue in Taipei, Scarecrow Restaurant.

Short film by Marian Dora

This documentary explores the mythic and historic roots of the most widely played Native gambling game in North America.

Drawing from Paik's earliest experiments with video synthesizers, Analogue Assemblage employs current technology to create a multilayered montage that references both the old and the new. The eerie 1969 electronic score floats over ghostly image processing; the result is a paean to the way the future was.

In November, 1999, Apple brought together a group of people under its AppleMaster program to teach them to use their new digital video editing software. As part of the class, Douglas Adams shot and edited a makeshift music video based on a song by his friend Margo Buchanan, and starring his daughter, Polly. John Cleese guest stars.

fruit salt television commercial

Marie Berthelius and Roger Narbonne conference call Lars von Trier, Win Wenders, Lone Scherfig, and Jean-Marc Barr and are also linked by digital video. The discussion is about the Dogme 95 film movement and how technological transformations affect cinematic practice.