All Films

"Ad Vice consists of a succession of colored projection surfaces with segments of text from the worlds of advertising, sport and popular culture." - Anita De Groot

Digital stills and video footage of a child on a beach in Cape Cod, Massachusetts, are manipulated and obscured to create a nostalgic atmosphere of remembrances. The Amiga computer has now been replaced by the Macintosh. The editing program is the Media 100.

An investigation of the two feelings, anger and desire. One woman (Swedish) and one man (Egyptian) in the Saharan desert on a hill. The heat is 55 degrees. The language is their own: sweat.

With films like Det perfekte menneske and Det gode og det onde in mind the consistent black and white portrait film Jeg er levende gives the impression that Søren Ulrik Thomsen has been invited into Leth's filmic universe, which conversely allows room for the poet's words. Thomsen gives an account of brief memories of childhood in a deliberately "staged" fashion, but more particularly of his experience of writing and on the art of reading aloud, and likewise describing poetry in general as a balance between emotion and cognition.

Taiwan Video Club (1999) introduces an underground world of television piracy in Taiwan. The protagonists record and trade videotapes of their favourite ‘epics’, broadcast daily on television. Focusing on their fanaticism and the materiality of the recording process, this video draws a connection between electronic and cultural forms of translation.

Originally produced anonymously and distributed by RTMark, Untitled #29.95 tells the story of the commercial art establishment's attempt to turn video art into a precious commodified object through the release of limited editions during the nineties.

“Fatherless” is a genuinely eerie docu about a 22-year-old bisexual who goes in search of the father who abandoned him when he was a child. Though the pic was billed at 90 minutes, its actual length was considerably shorter, which may account for some unexplained gaps in recounting the disturbing history of Masaya Muraishi.

A dark and sensual experimental narrative that explores a skilled technical worker's fantasies during her nights as a femme in the lower east side of New York.

A bank robber flies in to a tropical town where the only conversation is: ”It's not the heat, it's the humidity”. First the weather wrecks his plans; then it destroys him.

This video, directed at children, merges clay animation and real images to show the various dimensions involving urban waste: trash and sweeping the streets, and household waste, composting and recycling of materials. The gang formed by Vassourinha, Dr. Basket and Mr. Truck, stimulate correct habits for children and the responsibility of these issues.

Young gay and lesbian Norwegians share their experiences of coming out. As a counterpoint, the candid opinions of a number of their less enlightened peers are also included.

Welcome to Havana, Cuba...home of the legendary Cuban Cigar! This is a fascinating place where a stick of rolled tobacco leaf is turned into an intricate art form -- producing a desire of international passion. The secret of this extraordinary cigar is born from the rich Cuban soil, her special seed and the magnificent leaf itself. The island's famous tobacco growing regions, including the legendary Vegas of the Vuelta Abajo, are hailed as those which produce the legendary "Havana smoke" -- renowned for being the best the world has to offer and "The Puro"...meaning of pure Havana origin. You will discover the Cuban cigar's history from the experts including the Havana historian, the Cuban peasant with his hands of gold and the legends collector. Through human contrasts and into the discovery of a living tradition, this film follows the footsteps of the "Havana myth" that they each personify in their own way.

Kennington to High Barnet via Charing Cross Finchley Central to Mill Hill East The Northern West End branch starts with our train heading south around the Kennington reversing loop. When we say you will see all of the Northern line on this one DVD that is what we mean. Running through the West End via Charing Cross and Tottenham Court Road, we see Camden Town once more but from a different perspective. Running into the open at East Finchley - a classic design of 1930s underground architecture we arrive at the terminus on the edge of Hertfordshire, High Barnet. Finally, you will see the Mill Hill East branch starting from Finchley Central, nowadays the only single line tube branch on the entire underground. All lines were filmed aboard brand new 1995 stock trains in bright weather using the latest digital cameras.

As legend has it, there is an ancient curse associated with the mummys and tombs of the Egyptian pharaohs. Disturbing these embalmed remains has been said to bring bad luck, illness and death. Shortly after unearthing King Tut's tomb, Carnarvon was found dead.

Jennifer and Amber Cluck accompany a montage of potentially homoerotic touching from TV sportscasts with a song about being "in love with a guy who's afraid to use his charms."

a documentation of Bookchin's online adaptation of Borges' short story.

Edgware to Morden via Bank Northern Line City branch runs from Edgware to Morden via Bank. There is so much to see from the driver's cab. The overground section through the 3 platform station at Golders Green and into tunnel. The "Crewe" of the Northern line at Camden Town. The extra wide platforms created with the building of the Victoria line. We also run over the first section of tube railway in the world, the City and South London, whose carriages were nicknamed 'padded cells'.

While trying to comfort people in need, a young man causes quite a bit of trouble for a farming family...

Silent she comes through the night, desiring a silver light, leaving, with dusk in her eyes, descending from paradise.

The animated adventures of "Tonka Tom" a gay plastic cowboy. Hitch-hiking, two-stepping at the local gay bar, and enjoying a campfire with a friend and his trusty dog.

Not Resting was shot from a single position, the filmmaker’s bed, in a single session. The film is structured around a number of formal ideas such as shot duration, movements between light and dark, static camera and static subject, and muted colors.

Story of a single mother, released from prison.

Utilizing a series of conversations conducted over a thirteen year period between the filmaker and his mother, THE MARCH details one woman's recollections of the 1945 Death March from Auchwitz. -Light Cone