All Films

For the eighth time this season, an actor is killed during a performance of Eugene Onegin at the opera and ballet theater. Captain Pronin's patience runs out, and he personally takes on the investigation of the case.

The cast of "Boy Meets World" previews the ABC Saturday-morning lineup for the 1994-95 season.

Interviews with defenders of Dubrovnik.

On Christmas Eve, Santa is accidentally knocked off his sleigh and arrives unexpectedly in Tom's fireplace. Dizzy and confused, Santa is unable to deliver any presents, so Tom and his monster pals step in to help.

Features Arlene Baxter, Julie Lynn Cialini, Shae Marks, Becky Delos Santos, Anna-Marie Goddard, Jennifer Lavoie, Jenny McCarthy, Elan Carter, Neriah Davis, Julianna Young, Carrie Westcott, and Elke Jeinsen.

The first skate film of Birdhouse Alum Jeremy Klein and his company, Hook-Ups.

Originally planned as part of Michael Kanieckis play, «Howard Hughes: The World Is Round», the film follows the internal monologue of billionaire Hughes as he navigates between Earth and The Screening Room. James Godwin is featured in the voice-over. The performance was presented at The Kitchen, NYC, March 1994.

The long-awaited sequel to Sprout Wings and Fly is a gentle celebration of mountain living, a once-thriving American way of life.

An expressionistic story of a soldier’s lament as he lies on his hospital bed 50 years after the Second World War.

A Brett Ratner Film presented by Maysles Films, Inc.

Filmmaker Naomi Kawase captures the love, loss, and loneliness felt as she prepares to move out of her foster mother's home.

Uses first-person accounts from Missourians who went to the Fair in 1904, interviews with historians, archival motion pictures, and photographs to situate the St. Louis Fair in the social, political, and cultural context of American society in 1904. Covers American civilization at the turn of the century; the representation of history; authenticity; modernity; dress and body language; oral history and childhood memories; world fairs as experiences; and receiving information through visual symbols, words, and exhibits.

Richie Hawtin and John Acquaviva provide the mix for a journey further into virtual dimensions than techno had ever gone before -- the ever more confident animations reflecting the increasing sophistication of techno itself, reflected in some of the genre's most memorable tracks from the likes of Speedy J, LSG, Plastikman, Laurent Garnier, and Hardfloor.

Cap D'Agde is a popular summer resort town in France. A large section of the town is clothing-optional, and thousands of tourists flock there every year for the opportunity to spend their days naked - not only on the beach or in the pool, but in the shopping area also. Our tour guides, Alison Brown and Wendy Cooper, show off the town's attractions and interview a number of visitors and locals to find out what they most enjoy about vacationing in the nude.

To the accompaniment of the only extant recording of James Joyce reading from his own work, Donegan uses a clear cellophane hood and a pane of glass to create another of her "face paintings." The performance is intercut with the artist painting over her own image as it appears on a video monitor, complicating the relation between her performance and the ways that technology both records and redefines the artist's work.

This docudrama presents the history of the telephone, updated and told from the point of view of a character who uses the screen as both a connection to intimacy and a condom for safe sex.

The Smashing Pumpkins' performance at Pinkpop on May 23, 1994, was a powerful showcase of the band at the height of their "Siamese Dream" era. The setlist was heavily focused on that album, featuring fan favorites like "Cherub Rock," "Rocket," "Today," and "Disarm." They also included the "Gish" track "I Am One" and the single "Drown." The show is well-regarded by fans as an excellent example of their live sound during that period, characterized by loud, dynamic guitars and a tight, aggressive performance. The band was part of a strong lineup that day, which also included acts like Rage Against the Machine, Björk, and The Breeders. Notably, the Smashing Pumpkins' set concluded with an epic and lengthy rendition of "Silverfuck." The performance is often cited by fans as one of the band's top-tier live shows, with strong vocal and musical performances from the band. The energy of the crowd and the band's stage presence contributed to a memorable and intense experience.

Ratboy's section would be relevant going up against any surfing video today. His style is smoother, his airs more radical including the very first frontside 360 air, in which he spins all the way around. It was earth-shattering at the time. Pomer focuses his new and improved video camera not only on Santa Cruz surfers, but on some of the best surfers in the world outside of Santa Cruz. Spending the winter on the North Shore, he caught on film the amazing rides of Slater, Shane Dorian, and Kalani Robb.

Hole performs in the short film "Miss World" from the album "Live Through This." The short begins with Courtney Love singing as she is putting powder and lipstick on. The band performs on stage as Love accepts a crown and flowers.

A “Cinéma, de notre temps” series episode directed by french film critic André S. Labarthe, originally aired 16 May 1994.

Story about people who have neither luck in finding new instruments to play after war, nor new romance. Instruments experience war just like people do. Originally shot in 1971, the film was not released until 1994.

Bernhard, an actress-comedienne whose brassy humor attracts a cult-like following, here offers a semiconfessional view of her life's landscape. Childhood memories of her father, a doctor, and her mother, an artist, are warmly rendered in scenes of the Jewish family amiably accommodating itself to the Christmas season, and of the obligatory communal vacations joined by colorful relatives. The abrupt transition to a flamboyant denizen of "downtowns," Los Angeles or New York, to an existence as a character in the lives of marginal people, is evoked in sharply satirical terms, in a melange of humorous fact and fiction, monologues akin to those that make Bernhard an icon of pop culture.