All Films

An accumulation of living room sketches transforming into a rhythmic stream of consciousness; a love story that flows across time and space

The film looks back at the birth of Ukrainian cinema. Film critics Oleksandr Rutkovskyy and Serhiy Trimbach discuss Ukrainian silent films from 1893 until the emergence of Oleksandr Dovzhenko.

A documentary about the Library of Congress featuring interviews with several notable public figures.

Krzysztof and Regina meet thanks to a newspaper correspondence in 1989 Poland. Follow their meetings and letters as they progress from strangers to a happy marriage.

Strap yourself in. Sit back and feel the thrust of the F-16 Fighting Falcon's power at your back. Experience the most spectacular aerial artistry and team work of wing-tip-to-wing-tip aerobatics seen through a special on board camera.

SHUFFLED STORIES & TALES WITH TANGLED THREADS: Teaching Language with BACKYARD TRANSFORMATIONS. Video documentation of classroom experiments, Los Angeles Open School, 1990.

A thrilling performance of the greatest modern singer of Fado, Amalia Rodrigues. Taped in 1990, before an excited and savvy audience at New York's Town Hall, the concert captures all the passion, romance, and power of both the Fado tradition and Amalia herself.

This work celebrated the television corner. A social corner where the family meet and ritually watch TV. The images are of Glasgow, some are set ups, most are chance moments that I spent long hours waiting for. The work examines the dramaturgy of the moment, the falseness of making, consuming, waiting for a moment to take place. The wonderful moment of witnessing a different television moment, an art moment on TV. - Stephen Littman

In a hunger-stricken village, a hunter has to find a way to keep his beloved eagle alive. Based on a Kyrgyz fairy-tale.

Highlights from the 1990 European Truck Racing Championships

American extreme metal band Nuclear Death played three shows in Texas — El Paso, Houston, and McAllen — all documented in the video release Unalive in Texas. Alongside the live footage, it includes a gruesome home video featuring the band members in all the acting roles.

A film crew led by a woman but made up of men attempts to humorously document a series of interviews addressing gender issues. The interviews were conducted in the context of the International Women and Film Festival, where the prevailing "politically correct" discourse is undermined by the radicalized opinions of some participants. Fragments of scenes from Argentine films from the 1950s are mixed in to ironize the feminine stereotypes of the era.

Tired of being teased by his friends, a young frog leaves his home. He soon meets a snake who is very eager to make his acquaintance.

From A TRIP TO THE MOON (made in 1902) to STAR WARS, no other genre has captivated our imagination quite like Science Fiction. Join us in our 56 minute mission to seek out the Sci-Fi film destroyed by Adolph Hitler, to explore the difference between Jules Verne and H.G. Wells, to boldly go where the Sci-Fi greats have gone before!

The Return of Joe Hill is a musical documentary about the famed Swedish labor songwriter / IWW organizer whose 1915 execution by the state of Utah for a crime he probably did not commit transformed him into a martyr for the labor movement and an international folk hero. Historians, artists and activists discuss the contributions of Joe Hill and performances of some of his best known songs are featured.

A tale set in a harbor town in Argentina, where two gauchos fall in love with one girl. A tale over-flowing with pesos and human interest.

Youth, protest, grey routine, change. Times have changed, but the problems remain.

An explosion at a bakery causes bread to come to murderous life and attack people. A handful of desperate folks seek refuge in a secluded farmhouse. Will any of them survive the night of the living bread? Independent short spoof on the classic "Night of the Living Dead".

short by Gordon Ball about his time in Poland

Experimental film about early television

ADRIA is an artistic analysis of film as a medium and of its meaning as SCHOOL OF SEEING. The subjects of this analysis are the beginnings of the Austrian hobby and amateur film creation, restricted to holiday movies from the Adriatic Sea. The footage was analyzed according to set focal points (image detail, camera movement, etc.) then dissected according to serial aspects (tracking shots, pans, etc.) and edited into new sequences (descriptions, reactions, etc.) These sequences are liberated from their individual isolation and unified in a sequence that reflects the general situation. This general situation reflects upon two aspects. One is the first active involvement with film as a medium - in front of and behind the camera - and the other aspect highlights social contexts such as the first holiday abroad and organizing one’s leisure time.Therefore the private depiction of an individual situation becomes a document of a general situation.

An experimental anamorphic film with optically squashed and squeezed images which raises some questions about the perception of shapes. From the longest cow to the shortest car, the film contains bizarre and sometimes hilarious images. It weaves a path between home, street and playground, finally meeting with its own musical ending.

A young couple finds that the restored gospel provides answers to the difficult challenges their daughter may face.

About kind treatment of animals.