All Films

A sound system plays Commander Ernesto Guevara's speech, delivered on October 20, 1962, during the Second Anniversary of the Young Communist League, along with a series of archival images of the revolutionary leader visiting factories and meeting with workers.

Richard Kern’s 1983 film "American Obsessions" features David Wojnarowicz interacting with plaster heads from his “Metamorphosis” sculpture series. Kern went on to create two more films with David, "Stray Dogs" from his series Manhattan Love Suicides, 1984 and "You Killed Me First," 1985.

A film about the pressure which society puts upon people to project different images, particularly the image of success. Through the medium of potato printing the film shows how Madame Potatoe struggles to cope within the world in which she is placed. She retreats into the earth leaving her image to continue along its own increasingly exploitative path. Madame Potatoe was first shown as part of Emma Calder's MA show at the RCA, which comprised a life-sized, motorised Madame Potatoe eating crisps and watching the film on telly. She was sat in a room papered with Madame Potatoe print wall paper. Shown at the Tate Gallery, animation festivals, CH4 TV and world wide TV. Madame Potatoe print bought by the V&A for the prints and drawings collection. Many press clippings and associated articles are available.

An opening address, a tribute and highlights of a long and productive career--McLaren on McLaren is Norman McLaren on camera. The occasion is the opening of a prestigious festival in Arnhem, the Netherlands, in November, 1983, marking the tenth anniversary of Holland Animation. The renowned animator pays homage to those who merged their arts with his, and to the National Film Board, which gave him forty-two years of artistic freedom.

Every evening night came to one small town, and with it - peace and sleep. Only the lamplighter did not sleep - he lit up the city. A little owlet helped him light the lanterns - all the same, owls do not sleep at night. And in the morning, the main person in the city - the mayor - made sure that the lamplighter put out all the lights on time - after all, it was already light during the day. In the morning the lamplighter was resting, and the owlet flew to sleep on the roof, and every time he woke Drakosha up. Drakosha was a dragon and lived in a garbage can.

A partly dramatised documentary built around Sirkka-Liisa Konttinen’s photographs of the Newcastle terraced community, demolished to make way for the Byker Wall. Konttinen, a founder member of the Amber collective moved to Byker when the group came to NE England in 1969. She lived there until 1976, when her own flat was demolished. The film reconstructed some of the contexts, which had already gone, creating a celebration of traditional working class culture that has been widely shown to community and general audiences, as well as in planning and architecture forums. Together with Keeping Time, the film was one of Amber’s early photo films. Others created around Konttinen’s photographs include The Writing in the Sand (1991), Letters to Katja (1994), Today I’m With You (2010) and Song for Billy (2016).

A short documentary on the practice of Zar in Sudan.

Villainous monoskieurs try to capture the hero snowboarder to steal the secrets of skiing.

How many times did a miracle come to the pragmatic clerk Savushkin - and each time he brushed it off, and then powerlessly watched how the miracle and happiness go to another.

"Four days spent in a studio working on a centerfold photo for Playboy magazine provided the subject matter for my film. The magazine itself deals with culture, cars, a certain lifestyle. Maybe all those trappings are only there to cover up the naked woman. Maybe it’s like with a paper-doll. The naked woman in the middle is a sun around which a system revolves: of culture, of business, of living!" (Harun Farocki, Zelluloid, no. 27, Fall 1988)

After meeting in tennis club, a strange relationship unfolds between a boy and girl at a love hotel.

A short documentary that was originally produced to promote the film at conventions and publicity events in the lead-up to its release.

An award-winning, ground-breaking TV documentary dealing sensitively with the topic of sex and intimacy within the disabled community.

A door-to-door salesman tries to use the gift of the gab to sell an elderly couple things they don't really need.

Two young boys, Todd & Bill, go snooping into an alleged haunted house as a club initiation. One of the upstairs rooms was supposedly inhabiting a ghost by the name of Jamie Bly, a young boy who burned in the room years before.

Short animated film that illustrates a song by the same name.

A man and a woman, eager for happiness and romance, encounter the desired reality, but fail to recognize it, preferring to take refuge in a space on the border between the concrete world and dreaming.

A Celebration at Caesars was the first concert residency by Cher. Shows were performed at the Circus Maximus Showroom at Caesars Palace in Las Vegas. Shows in September and October 1980 were performed at the Stateline Showroom at Caesars Tahoe in Stateline, Nevada.

Two brothers: one of them has become an actor and lives in Paris; he goes back home and meets his sibling who has stayed in the village where he married "la Matiouette", a local girl. The reunion is warm, but they soon discover that now they are worlds apart.little by little, the conversation becomes less friendly, less kind, and regrets, resentment resurface. Their reunion will leave them two broken men.

Poor Mikola came to the fair, but he has no money, only dreams and a cheerful disposition. On the way home, he got caught in the rain and took refuge in a terrible house, where he met with the ghost miller.

The Impossible Dream" is an animation film produced by the United Nations (UN) in 1983, together with Dagmar Doubkova of Kratkty Films, Czechoslovakia. The film takes a wry humorous look at a problem faced by women everywhere: the double-workload of a full-time job and being a housewife. The film features an average family with a baby and two school-age children. Both parents work outside the home. The woman puts in the same hours as her husband, for less money.

In 1983 Dennis Hopper went to Rice University in Houston, Texas ostensibly to screen his latest film Out Of The Blue. But little known to anyone, other than Hopper and a handful of his buddies, he had another agenda entirely. While he did indeed screen his movie, Hopper had actually come to Houston to blow himself up. After screening his movie Out Of The Blue, Hopper arranged to have the audience driven by a fleet of school buses to a racetrack on the outskirts of Houston, the Big H Speedway. Hopper and the buses arrived at the speedway just as the races were ending and a voice was announcing over the public address system 'stick around folks and watch a famous Hollywood film personality perform the Russian Dynamite Death Chair Act. That’s right, folks, he’ll sit in a chair with six sticks of dynamite and light the fuse. 'The large guy making the sign of the cross is the writer Terry Southern and the jerk threatening to blow up my camera is the German filmmaker, Wim Wenders.'

From its very title, Cláudio Kahns and Antônio Paulo Ferraz's Santo e Jesus, Metalúrgicos is crystal clear about where it stands and about its messianic flair. Through a wordplay with the religious connotation of the names of the two men, murdered during the worker strikes of the late 1970s in São Paulo, it associates sainthood and Christ himself with the working class. That association is reaffirmed throughout the film, from the very beginning, including by a priest. The martyrdom of metalworkers Nelson Pereira de Jesus and Santo Dias da Silva is the starting point to denounce the working conditions faced by factory workers, and the repression which ensues whenever they try to resist them. However, the film also presents us with the 'official' version of the facts, going so far as to feature interviews with the man who killed Nelson. Obviously, it sides with the workers, as it conveys the strength of the oppressed and the impudence of the oppressors.

The first part of the little trilogy Phantasus muss anders werden; What happened to Magdalena Jung?; and Tunguska – Die Kisten sind da (1983/84). The first two shorts were firstly shown at a counter-event of the "Westdeutschen Kurzfilmtage" (short film festival) in 1983. This event was also connected with the slogan "Freedom for Christian S.", who was a popular anti-fascist at this time.