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Alcohol Trigger Films for Junior High School: The Party, The Mother, The Ride

Alcohol Trigger Films for Junior High School: The Party, The Mother, The Ride

1979 • 10 min
Educational shorts intended to prevent teenagers from getting bombed and killing themselves or wrecking the family car.
The Knack: Live at Carnegie Hall

The Knack: Live at Carnegie Hall

1979 • 49 min • Japan
With one of the fastest selling debut albums of all time, The Knack burst onto the scene in 1979 with their own brand of straightforward power pop and a lead-off single ("My Sharona") that would top the charts and become Billboard's Top Pop Single of 1979. A true overnight sensation that would be doomed by overhype and the inevitable critical backlash that followed, The Knack were nonetheless an exciting live band with both musical chops and a sense of humor.
Pituitary

Pituitary

1979 • 4 min • United States of America
“It came from 1979! A paranoid tale of the myths and misconceptions surrounding body changes in adolescence. Found footage with hand drawn flourishes. In full 16mm punk-era unrestored decrepitude! Made in one week. Sound by Ground Zero, Boston.” —Lisa Crafts
Rumores

Rumores

1979 • 27 min • Brazil
The loneness, the Other and the living together with himself.
Like A Passing Train 2

Like A Passing Train 2

1979 • 6 min • Japan
Time. In HUNDRED YEARS OF SOLITUDE, Gabriel Garcia Marquez describes a long process a year it takes to cross a railway station. The film consists of an image of a train crossing a bush in the garden Ando. The film was shot from the same angle fixed for six months, through the seasons.
Guesswork

Guesswork

1979 • 11 min • United Kingdom
Details, fragments, transformations and shadows of a confined space.
Pudim de Morango

Pudim de Morango

1979 • 4 min • Brazil
Lumiere's Train (Arriving at the Station)

Lumiere's Train (Arriving at the Station)

1979 • 8 min • Canada
The subject of the first essay is cinema itself: an apparatus of representation wherein fact and fiction are recreated. As such, the pro-filmic facts are necessarily drawn from two of cinema's "pioneers": Louis and Auguste Lumière and Abel Gance (La Roue), with additional material provided from a Warner Brothers featurette, Spills for Thrills.
Susis Schicht

Susis Schicht

1979 • 7 min • East Germany, Germany
Susi works in a large depot for waste paper, which is bundled and loaded onto trucks for recycling.
Hérésie pour Magritte II

Hérésie pour Magritte II

1979 • 5 min • France
La Grande Famille by René Magritte in different sizes superimposed, animates the dove and gives an impression of continuous flight.
Hérésie pour Magritte V

Hérésie pour Magritte V

1979 • 3 min • France
Under the Sun

Under the Sun

1979 • 11 min • Japan
Regarded as a creative extension of Stone (1975), animation unfolds on drawing paper placed on a field and farm.
The West Village Meat Market

The West Village Meat Market

1979 • 11 min
"THE WEST VILLAGE MEAT MARKET is an autodidactic debut film documenting a New York neighborhood, a meat market, which combines documentary and metaphorical overtones, as well as exploring certain aspects of the medium of film: in hand camerawork, motionless to moving objects or minimal movements, black and white material to color, flatness to depth effect.These formal contrasts emphasize textures and spatial conditions that are of particular importance for the area of ​​the meat market. " (Christine Noll Brinckmann)
Codex

Codex

1979 • 59 min • United Kingdom
London is cut up and manipulated in this highly structured, emotionally compelling piece about the UK's capital city and its capacity to alienate and atomise people. Images printed using custom-made equipment at the London Filmmakers' Co-op stagger forward and back in precise rhythms and establish both a spatial and emotional map of the various night-time locations seen here.
Shinpu

Shinpu

1979 • 3 min • Japan
Vision Elargie

Vision Elargie

1979 • 12 min • France
The window serves as a metaphor for looking and watching. The cinematic illusion is redoubled by the uncertainty of the iconic referent. It is a query on the status of the visible. Games and multiplications of the framework generate an impalpable architecture. In a film which is limited by black and white.
Imag'in the sea

Imag'in the sea

1979 • 4 min • France
L'Age du bois

L'Age du bois

1979 • 13 min • France
Sensitivity as Bread

Sensitivity as Bread

1979 • 10 min • Soviet Union
The focus of attention in one of the earliest films by a highly prolific documentary director Edmundas Zubavicius is a veterinary clinic in Kaunas; the observation of its daily routine reveals the longing for human sympathy as if yearning for a prayer. Quite a sophisticated relation between the visual and the sound is outweighed by the junctions of poetic film language and realistic shots. They invite to contemplate the relationship between nature and man.
Narcisso-Métal

Narcisso-Métal

1979 • 12 min • France
Narcisso Metal is a film for Narcissus, mirrors and windows where the look is the subject since it’s Narcissus’ toy. This isn’t without danger as we know. Truly speaking a self-portrait film: in most of the scenes, the director is filming himself through an automatic release mechanism or at a distance.
Sappho

Sappho

1979 • 7 min
Using the sixth century B.C. lyricist's poetry, a group of women unwrap the papyrus gauze of the lesbian goddess and bring her to life. Made by Barbara and six students, together at the Women's Building in Los Angeles.
Anorexie II

Anorexie II

1979 • 3 min • France
A cinema encyclopedia. Yet another history of film.
Coca No. 1

Coca No. 1

1979 • 1 min • Sweden
Rolling Coca Cola bottles and industry sounds. This is part of a series of anti-commercial films. (Filmform)
Astérie

Astérie

1979 • 12 min • France
A film by Michel Bulteau