All Films

Bernice, a shy young woman, leaves her safe home to go visit her flapper cousin. When her cousin tries to teach Bernice how to be much more modern, Bernice gives her much more than she bargained for.

Marina Abramović Freeing the Body was performed at the Künstlerhaus Bethanien in Kreuzberg, where Abramović began dancing frantically to the sounds of a bongo player. During the early part of the performance, she still has plenty of energy, and she rocks her hips and upper body vigorously to and fro. Over the course of the six hours, exhaustion sets in. Abramović falls back on a single monotonous movement, now and then visibly exerting herself in an attempt to reivigorate her body. After a final convulsive movement, in which she tries to give her all for one last time, she allows herself to collapse onto the floor and remains lying there, completely exhausted. During the performance, Abramović's head was covered by a black scarf. In this way, the audience was not distracted by Abramović as a person or personality, and attention can be focused on the body, which, due to its anonymity, has become an abstraction.

This feature-length documentary offers an inside look into the workings of a travelling circus. Filmed in 1976, directors Tony Ianzelo and Torben Schioler followed the Royal Brothers' Circus as they set up their tents and put on their show. Fascinating to watch, the film captures the 24-hour-a-day brand of magic that the circus evokes while revealing the nature of the people who run it.

This concert film made in the Dorothy Chandler Pavilion in Los Angeles in 1976 captures a memorable performance conducted by the doyen of American composers, Aaron Copland. It includes some of his greatest and most attractive music, from the patriotic flourish of Fanfare for the Common Man and the spirited orchestral fantasy El Salón México, to the colloquial warmth of his suite from the opera The Tender Land. Of particular importance is the collaboration with the great Benny Goodman in the masterwork he commissioned and premiered, the Clarinet Concerto.

The story deals with a professional hitman, who falls in love with the woman he sets out to murder.

The history of Partido-Alto, a musical subgenre derived from Samba, with roots in the batucada of Bahia.

Face in Motion depicts Chang Chao-Tang from the shoulders up, dressed in a light tank top, shaking his head and contorting his face. The background is pitch black, and he is lit with an almost otherworldly glow. The artist recorded at two frames per second, rather than the typical twenty-four, speeding up the erratic movement. He occasionally flips upside down or appears in blue and green colourised layers on top of the colourless original. A high-intensity electronic track, ‘Pulstar’, by the Greek musician Vangelis, accompanies the video and accentuates its volatile energy.

A man who is on a pilgrimage spends the night with a woman. After they share a moment of passion, he runs away and she chases him.

Short animated film about a girl who helps a little bird during the winter.

A series of cameo portraits of the filmmaker's friends and lovers intercut with a playful celebration of fruits and vegetables in nature.

The End of the Road (also known as Alaska: The End of the Road) is a 1976 British short documentary film directed by John Armstrong. The film is about British Petroleum's Alaska operations, including the construction of the Trans-Alaska Pipeline System. It was nominated for an Academy Award for Best Documentary Short.

This documentary by independent filmmaker Ken Harrison provides a look into the contemporary Texas art world of the mid-‘70s. Shot in 1975, Jackelope is loosely divided into three segments, each focusing on three young artists: James Surls, George Green, and Bob Wade. The documentary captures each artist in the more casual moments of their lives, capturing their ideas about art, the artistic process, Texas, and other topics in the process.

Recovered Zulueta short.

Is it the outrageous claims? Or just the bad acting? This early media literacy film helps kids understand that that ads are trying to, well, sell them something. Kitschy good and super tasty, it's lipsmackin' fun!

This short, animated piece of agitprop fiercely expresses the hopes of the Chilean people.

One of Jeff Keen's diary films. Keen made many diary films with his daughter, wife and friends in the late 60s and 70s. These were edited in camera and used multiple exposures. They would then be projected in various combinations though usually as a four-screen.

Livingston, a psychic investigator, is asked to attend a seance. Can it be that he has finally discovered a genuine supernatural phenomenon!?

For 'Et les chiens se taisaient' Maldoror adapted a piece of theatre by the poet and politician Aimé Césaire (1913–2008), about a rebel who becomes profoundly aware of his otherness when condemned to death. His existential dialogue with his mother reverberates around the African sculptures on display at the Musée de l'Homme, a Parisian museum full of colonial plunder whose director was the Surrealist anthropologist Michel Leiris.

The film tells the viewers that the President met with over 70,000 heads of party and state and prominent figures from 136 countries from March Juche 38 (1949) till the last moments of his life. It also records the facts that he made 54 official and unofficial visits to 87 countries for 685 days.

One day, the crocodile's scary teeth started to hurt. And no one could help him except for a little bird named Tari…

This feature documentary profiles the brave Canadians who fought in the Spanish Civil War between 1936 and 1939. To save Spain's constitutionally elected government from the threat of a fascist dictatorship (which eventually prevailed), over 40,000 volunteers from around the world fought in Spain, and 1200 of those were the Canadians of the Mackenzie-Papineau Battalion. More than half of them never returned. This respectful, emotional and historically rich film is committed to the memory of those who truly believed in the cause of the Spanish Republic.

Tells the story of how the famous Christmas carol Silent Night was written.

An MP arranges a bomb in a school playground as a pretext to bring back the death penalty.