All Films

Second part of a French TV series about the creation and building of the town of Cergy-Pontoise.

Documentary about the German poet Erich Weinert.

Super 8, colour, silent, 3' 20"

A portrait of the British artists, two living sculptures, filmed in Paris on the occasion of their exhibition at the Sonnabend Gallery.

An interpretation of The Confessions of Saint Augustine featuring an ordinary middle-aged man who undergoes a conversion experience whilst watching an experimental film. - Harvard Film Archive

In the 1970s, Californian artist Louis Hock created a number of studies in the effects of pure colour. The late 1960s saw the rise of the ‘colour field’ vogue which arose in abstract painting in reaction to the emphasis on individual expressive gestures in Abstract Expressionism. ‘Colour field’ artists like Mark Rothko and Barnett Newman sought to empty the image plane out into broad, flat areas of colour. With its humming bars of pure hues, Light Traps is like a moving ‘colour field’ painting – a ‘colour field’ film. Preserved by the Academy Film Archive in 2013.

Divulgatory short film commissioned by CineDifusión SEP.

Animated short film made in pixilation. The film tells the amusing story of an attempt at seduction that is certainly out of the ordinary.

The most precious gift for a grandmother is the love and care of her grandson.

The film depicts the complexities and conflicts that arise in workplace environments, particularly focusing on the dynamics between supervisors and employees in both public and private sectors. It illustrates various scenarios where disagreements occur, often leading to grievances that may involve union representation. Key themes include dress codes, assignments based on gender, seniority rights, and the struggle for fair treatment and representation in the workplace. The characters navigate these issues, highlighting the tension between individual rights and organizational rules.

The misadventures of a hungry kitten.

It all depends on your perspective. Created for Sesame Street.

A psychedelic yoga lesson with some beautiful and bizarre visuals.

Twenty-two minute tracking shot through campgrounds in Southern Wisconsin

In the land of Grammeria, a young lad learns how to construct sentences while a background monkey watches in silence.

The man wants to die and the woman wants to be famous. According to the man, there could not be a better plan than the woman killing him. This way the man will get his wish to die and the woman will become famous.

An unnamed man goes to a hotel to commit suicide with pills while listening to songs by Marlene Dietrich. But that act that seems to trigger the mere memory of places and experiences before dying, suddenly merges with other characters and dramatic experiences, which give life to a limit work, of desperate, almost intolerable courage, obstinate in dismantling all institutional discourses of the history of Mexico, without ceasing to use extraordinarily all possible cinematographic resources.

The film invites its viewers to reflect on where modern sports have come to. Does a young, honest and uncompromising athlete have a future in the sport or must he go along with the dishonest tricks and the mean game that comes from it all?

Super 8 special effects sci-fi horror short by Dick Taylor, featured in issue 4 of Cinemagic, 1975

This feature-length documentary offers a glimpse at the unknown world that lies beneath the Arctic ice. Arctic IV follows Dr. Joseph MacInnis, a specialist in underwater medicine, as he probes and explores the polar depth. Filmed at Resolute Bay, Dr. MacInnis and his team must chip through 2 metres of ice and dive into the frigid, watery depth at the North Pole - all in the name of science.

In X-Ray, Ana Mendieta uses a Cinefluorography unit, a medical tool usually employed for diagnostic and research procedures. In Mendieta’s hands, she takes us inside her own head, filming her own X-Rayed skull while talking.

TELEVISION ASSASSINATION is one of two major works that Bruce Conner began in the days immediately following the Kennedy assassination and the artist's own thirtieth birthday, in the fall of 1963. While REPORT utilized montage and a strongly articulated structure to analyze the forces at work in the killing of a President (including our own complicity), TELEVISION ASSASSINATION is a complex, synthesizing work that weaves together fragments from the flux and flow of that history as it was in the process of being constructed and displayed daily to a nation of spectators. A monument to the enduring potency of the Kennedy myth and to the marketers who created it, the installation brings Conner's critique full-circle into the very medium that formalized it. In so doing, the work seems to suggest that the final resting place for the slain President was neither Brookline nor Arlington National Cemetery, but rather in the box, on the tube, held suspended forever on the television screen.

The vengeance of a housemaid against the family that hired her.

Padres begins with a fabulous shot. Instead of two parents, we see two cats, one black and one white. Without exaggeration, one could say that these cats are the first "parents" of the film, happily fighting for food, one more aggressive, the other more passive. It turns out to be a brilliant association in "sacralizing" the animals and eroticizing them.