All Films

A young fox unexpectedly finds himself in San Francisco, where, after many misadventures, he is befriended by a boy in Chinatown. The boy helps the Humane Society take the fox back to the wilds.

The life of man is poor and nasty. A few plants give temporary relief: marijuana, alcohol, and opium. After a history of opium, including the 19th-century Opium Wars, we learn of the discovery of heroin; the rest of the film examines heroin trade and addiction in the U.S. Two tons a year enter the U.S., with only 100 pounds interdicted. Most is used in New York City. Interviews with customs officials, prosecutors, medical doctors and junkies provide points of view. The harsh 1956 law and the medically-oriented law of 1966 are contrasted, with the film on the side of treatment and rehabilitation. It ends with advocating reducing use here and finding other cash crops for farmers abroad.

Co-directed by Chris Marker and Mario Ruspoli, Three Cheers for the Whale traces humanity’s complex relationship with whales—from reverence to exploitation—culminating in a stark depiction of industrial whaling. Combining archival imagery, commentary, and documentary footage, the film offers both a historical reflection and a call for ecological awareness.

July 1931. A farmstead near Kilmore, Southern Ireland. The country is in drought. Day after day the sun scorches the land and parches the crops. The dry East wind carries a plague of rooks and crows which plunder the fields continually. Each new day brings little hope of change...

An orphaned skunk comes into the lives of an artist and his daughter in a desolate area of Arizona, and he tangles with an owl and a pair of poodles.

Short 8mm experimental footage film.

A short film based on a story by D.H. Lawrence in which two sisters meet after being apart for a long time.

Picking up the story first presented in I Don’t Know (1970), Hats Off to Hollywood (1972) brazenly and brilliantly mixes documentary reality with fully staged recreations/reimaginings of episodes in the lives of Jennifer and Dana, a loving, bickering couple who challenge the notion of homonormativity. Drugs, poverty, disease, bigotry and prostitution all figure into this disarmingly candid and often hilarious film, a remarkable work that is the apotheosis of director Spheeris’ early work, and a luminous signpost leading directly to The Decline of Western Civilization (1979-1997). Preserved by the Academy Film Archive in 2012.

All over North America young people are rejecting orthodoxy of all kinds and embracing new cults, new forms of self-discovery, from Krishna to bio-feedback. Group dynamics, encounter groups, transcendental meditation, Eastern philosophy, communal living, return-to-nature, re-energized evangelism--all are roads to salvation according to the individual's belief. This film takes a discerning look at them all, from Canada to California.

A man walks towards the camera down the end of a street to the sound of 'Jesus’ Blood Never Failed Me Yet', a composition by Gavin Bryars based on a loop of an anonymous homeless man singing the song. The man’s voice is progressively intensified by an instrumental accompaniment, which increases in density and richness, before the whole thing gradually fades out. Dwoskin’s film was produced to be shown during the premiere of Jesus' Blood Never Failed Me Yet at the Queen Elizabeth Hall, London in December 1972. For Dwoskin, it represents “… the singing voice of the last days of a London drunk (anonymous) as the orchestra raises him to heaven. The faint ghost image of a figure swims gradually to you through the grains of film low light…”

The Blue Racer is trying to catch Japanese Beetle. He first tries to catch him by hiding inside a hose, however, plan is backfired when Japanese Beetle turns on the faucet. Then he tries to catch him by hopping, but again, plan foiled because he ran across a rolling roller. While chasing the Beetle again, Blue Racer runs into a venus flytrap, which spits the snake out (the flytrap claims that it tasted awful). The Blue Racer decided he needs to fly in the air to catch the bug and sucks a can of helium, and floats in the air. However, when he opens his mouth, he flys off in the air and falls into a bag of genuine fertilizer.

In this 1972 BBC Films production, architectural historian Reyner Banham takes the viewer on a tour of what he describes as the “four ecologies” of the city of Los Angeles: Surfurbia, Foothills, The Plains of Id, and Autopia (beach, basin, foothills, freeways). Noted for his seminal book of essays, Los Angeles: The Architecture of Four Ecologies, published the year before, Banham had a love affair with the City of Angels and its bold typologies. (Open Source Cities)

Heroin anti-drug educational film

A night when parasites of various green forms devour humans. A cruel food chain that never ceases, and an eternal repetition of life and death. A grotesque and strange parable drawn by Yoji Kuri. Isao Tomita's synthesizer music echoes quietly and eerily.

One morning, Tom’s dad the vet has had enough of it and goes fishing. Little Tom decides to replace him in his job at the zoo. When a lion is in urgent need of an ice-cream, Tom sets out to buy it, but he leaves his things in the cage. The guards think he was eaten by the lion and overall panic follows. Luckily, Professor Balthazar is here.

A girl named Susie goes to an amusement park and are greeted by a couple of costumed tour guides, The Banana Splits who take her on a tour of the park. In another realm a witch sees Susie and wants to make her a witch so she lures her into her realm. The Splits follow her and discover a world of magic. They try to rescue Susie from the witch and are aided by a couple of bickering wizards, Hocus and Pocus.

Steamboat trip along the Purus River.

Richie Havens concert at Casino de Montreux, Switzerland in 1971. With Paul Williams (guitar), Emile Latimer (drums), Eric Oxendine (bass). The year after the release of the 'Woodstock' film that gained Richie a new worldwide audience. Directed by Willy Botteldoorn, as part of 'Pop Shop' series. Broadcast in Belgium on February 10th 1972. High Flying Bird Just Like a Woman Handsome Johnny From the Prison Fire and Rain Things I Used to Do Medley - Freedom/ Motherless Child/ Telephone in My Bosom/ You Gotta Give.

This television program follows an FBI agent provocateur, Robert Wall. Wall chronicles how he spied on people and institutions. He describes how he surveilled Stokeley Carmichae and tried to incite violence at a peace march.

The film was banned for 18 years by the communist regime in Serbia because it did not want the film to show taboo subjects. Thematizing and problematizing the life of Serbs in Croatia was considered an expression of "Great Serbian chauvinism" and "disturbing the public" in Yugoslavia. The film unmasks the alleged struggle for a just society during the so-called National liberation struggles. The partisans from Kordun tell how, with false promises about a better life and a happy future, were deceived by the partisan elite led by Josip Broz Tito. Instead of a society of equality, after 1944 a society of class differences was created. Thus, people from the poor regions of Yugoslavia become cheap labor in capitalist countries because they cannot find work in their "socialist" country. The film is a prophetic anticipation, which is why socialist Yugoslavia failed and because of which Serbia has been collapsing for decades.