All Films

The cat sits in the street dreaming. A group of three mice run out of the hole and boldly go to the cat. They tease him and grab his tail, but the cat seems completely absorbed in his dreams and does not notice them at all.

Movie sketch about one of the oldest villages in Dagestan — Koroda.

A small mysterious man, who is the objectification of monetization, infects the mind of the western white man, and several symbolic sequences of xenophobia and dehumanization follow.

Commissioned by the Swiss Chamber of Watchmaking to encourage vocations among young people in the sector, the film features a wild animal tamer based on a screenplay by Emmanuel Gottraux. Gisèle and Nag Ansorge here bring to life the paper cut-outs designed by Jean Monod, and Thierry Fervant creates his first film music for the couple, starting a collaboration with them up to their latest productions.

A young man hires a muscular masseur. In a blackened room, the handsome bodybuilder gives his client a memorable massage, displaying his very own technique involving some karate chop moves, and making the man fantasize about role play.

Section Ill is the most abstract section of the four, and the only one which does not contain old photographic material. The means used in previous sections to achieve abstraction and transformation of the realistic image are here employed in the extreme so that texture, color, and shape predominate. We can recognize some realistic images, such as shots of the family walking in the woods, or the children reading comics and riding in a car, but the overall impression given by this section is one of abstraction. (Artforum)

A portrait of photographer Pavel Hudec Ahasver is also a homage to the young generation, their thirst for freedom, their non-conformism, their narcissism.

The ambulance speeds through the night. The doctors try to save a man, his heart is still beating. On a railroad bridge another man is crouched by the tracks: A suicidal former boxer. The story of a double failure.

The first film made in black-and-white. Made using my own printing technique. Beforehand: This film, which is basically romantic or, even more, a fairy tale film, with carriages, horses, handmade glass lanterns, as solemn as a merry wedding, with an old Rolls Royce standing at a slant completely drunk and whose magnificent big headlights sit crooked on its fenders. An atmosphere of dancing around and returning and light, lamps and life. A film that even takes its audience to Paris, past the Louvre and into the nights of the boulevards; again and again, light, lamps and life. The film is light-hearted: the sonorous tone indicates a change, difficult to under-stand, a threat or do I hear right? Again and again, the streets, the domes of the churches, the palace wings of the Louvre, the National Library and the small opening in the wall at the Palace Mazarin which leads to the small park with its Picasso statue. What happens in Paris?

An experimental short film which compares and contrasts the colors of carrots and peas.

This « comic strip » of alienation takes place within the walls of a bourgeois house, in a valley created by the toxic red-violet waste of a large chemical industry. In the background, popular songs from the '60s.

The director travelled to Tanzania and interviewed several European missionaries and plantation owners, shedding light on the negative effects of colonialism.

Based on the play by Demetrius K. Toteras, itself based on his own experiences as a prisoner-of-war.

In Central Harlem, at the height of the Black Power movement, a policeman discusses his role in and out of the uniform, contrasted with the experiences of a colleague in the LAPD.

The 257th issue of the long running industry cinemagazine. Features the article 'She', examining the part women play in mining and the role they could expect to play in British industry in the future.

"A work documenting the VAN Film Science Research Center’s space before shut down. VAN, which Jonouchi was a member, was established by the original and new members of the Nihon University Film Study Club (Nichidai Eiken) in Ogikubo section of Tokyo in 1960. VAN was a place where not only filmmakers but also people working in various media, including fine artists, musicians, photographers, and editors, could assemble, serving as an active center for creating historically important works and events." - Collaborative Cataloging Japan

The shifting, abstract color imagery of Jordan Belson's "Cosmos," which unfurls to electronic sound, is attributed in the program notes to the artist's insight from experience with drugs and yoga. - The New York Times

A documentary about surrealist artist Salvador Dali, narrated by Orson Welles.

Available episodes of missing movies by Mauritz Stiller.

This film documents one of the most important struggles for education in the sixties. In 1968, under intensive community pressure from Black and Latino communities, the State of New York chose three New York City school districts to become part of an experiment in community-run education. In Ocean Hill-Brownsville, the community board requested the reassignment of several teachers perceived as racists. The request brought the wrath of the United Federation of Teachers, city and state bureaucracies, and ultimately a citywide teacher's strike.