All Films

Hey Cinderella! is a one-hour Jim Henson special which tells a cracked version of the classic fairy tale. Cinderella lives with her wicked stepmother (as everyone who ever read the fairy tale knows), but what part of the story is never told is how Cinderella's fairy godmother had help from monsters, a prince pretending to be a gardener, and none other than Kermit the Frog.

Pippi prepares for Christmas. She bakes a huge number of gingerbread biscuits. In the big tree outside her house she has hung lots of Christmas presents. At Christmas Eve she sits at her window, looking out in the darkness at all the presents hanging in the tree. She feels lonely and thinks with sadness about having no one to give the presents to.

Set to music by Beethoven, this lyrical portrait moves from a chilled and misty exterior to the crystalline interior of the Swiss chateau that King Ludwig II built for Wagner.

Inspector Clouseau has feelings of vulnerability and what he fears may be paranoia after he is assigned to guard a priceless jewel. Unbeknownst to him, he has already narrowly escaped several covert attempts on his life by two jewel thieves. Clouseau goes to see a psychiatrist, who turns out to be one of the thieves in disguise!

Hayato's home city is under attack from a gigantic robot. His parents are lying dead in the rubble and the only remaining friend is his dog. His only thought now is revenge against the owner of the Phantom Ship (from where the robot said he was sent). He ends up in the house of Kuroshio, the leader of the fight against the Phantom Ship and the most important person in the city. By complete accident, Hayato finds his way to an underground passageway where he realises that the true nature of events does not mesh with what Kuroshio has told him. His life is now in great danger, and only he can stop the plans of the evildoers.

A short film on Hungarian-born artist and sculptor Amerigo Tot.

Documentary short about the making of On Her Majesty's Secret Service (1969) in Switzerland with a particular focus on the principal actors and the Piz Gloria mountain top setting.

An expressionist and anti-war drama by the American playwright Irwin Shaw. It dramatizes the refusal of six dead soldiers during an unspecified war—who represent a cross-section of American society—to be buried. Each rises from a mass nameless grave to express his anguish.

Smith's third feature film was originally titled "The Kidnapping of Wendell Willkie by the Love Bandit," in reaction to the 1968 Presidential Campaign. It mixes B&W footage of Smith's creatures with old campaign footage of Willkie, a liberal Republican who ran against FDR in the 1940's. The climax of the work appears to be the "auctioning" of the presidential candidate at a convention.

A discarded silk top-hat becomes the focus of a struggle between a washed-up stage magician and a group of schoolchildren, after it magically brings a snowman to life. Realizing that newly-living Frosty will melt in spring unless he takes refuge in a colder climate, Frosty and Karen, a young girl who he befriends, stow away on a freight train headed for the north pole. Little do they know that the magician is following them, and he wants his hat back!

A gang of Nazi bikers prepares for a race as sexual, sadistic, and occult images are cut together.

In this final installment, aired November 5, 1969, in what had become an annual tradition of televised specials, Sinatra cast a backward glance at some of the highlights of a storied career with Don Costa and his Orchestra as guest performer. He also provides a glimpse into his musical future with an early rendition of " My Way ", soon to become his personal anthem.

This series followed the exploits of Sad Cat, a scraggly looking cat, and his friends.

Frustrated with her inability to draw Grandpére's Tower, Lady Elaine erupts in anger and upsets the residents of the Land of Make-Believe. In this two-part program designed especially for little ones, friendly neighbor Mr. Rogers illustrates a few alternatives to acting hopping mad, including singing, exercising and playing the piano. He also visits dancers on the set of the smash production "Stomp" to see how they make use of their emotions.

"The film was one of the most controversial films and makes positives and opposite comments around it. i asked nassib so many times that send me a copy of film to me but he didn't have copy of that. Iranian state television, did not consider his request. I knew there is one copy of film in Cinematheque Francaise... Henri Langlois, director and founder of Cinematheque Francaise who one of the main characters in cinema, loves that film. Nassib went to pairs for representation his film, (This only goes to travel abroad). "

Hindle's prize-laden work of cataclysmic visual and mental schisms stands as one-of-a-kind. Human universals crammed into a moment (infinity?) in one small enclosure (the universe?). The identifying viewer will judge.

1969 short by Sture Dahlström.

After much satirical banter between the two girls and their university tutors and colleagues, the near to final dinner party scene explodes in an extended homage to Jean-Luc Godard via the daggiest dance number ever committed to film. Jack and the two girls (played by then campus objects of desire Jane Washington and Margaret Harrison) leap up from a series of dinner table pontifications – though we’ve already had a clue about the next event when Kate says, “My idol for this week is going to be that weedy little man in Godard’s film”. Then the music starts. All three eventually dance in an attempted replay of the number in Godard’s movie. Its shot front-on in the manner of Griffith, with the dancers moving towards and back from the stationary camera for almost all of the three minutes of the song, until near the end there is a cut to a medium close-up. Exhilarating. Funny. And remembered down the ages.

Symphony of the Planets is an abstract composition in which planetary shapes revolve in spiralling forms to the music of Tchaikovsky

In Einstine, which was based on the installation Psychedelevision in Color, a photograph of Albert Einstein is colorized and manipulated to the music of Rimsky-Korsakov

Stepping Stones - Abstract drama played out in light, color and sound - is made up entirely of original vintage light show projections, excerpts of which were featured in the 2005 Visual Music exhibition at the Smithsonian's Hirshhorn Museum and The Museum of Contemporary Art in Los Angeles

A portrait of alienation is sketched out, focusing on a young art student who passively, but consciously, rejects responsibility for the political storms swirling about her. The epitome of bourgeois mentality, she insists she is, or at least will be, an artist. She says, all she is responsible for is “art”—though she admits she cannot tell you what it is. Beginning with TV images from Viet Nam being turned off, the film ends with the 13th fragment, TV images of Viet Nam being turned on again. We are bracketed by history, like it or not. (Jon Jost)

From 1967-71 Barry Spinello made films without camera or tape recorder by hand drawing both sound and picture directly onto clear 16mm leader. His interest and education (at Columbia) was in music, painting, and poetry. His effort was to merge these three: “to squeeze sound and picture out of the same tube – to weave a cloth with warp as sound, woof as picture, and meaning the fabric itself."

Reproductions, for instance, completed in relative speed after the lengthy process of making Rohfilm, explores the aesthetic and perceptual effects of the reproduction of just a single type of image: strips of black and white slide positives from the Heins' vacations in North Africa, Italy, and greece in the early 1960s. To make the film, the Heins cut these numerous small images into little strips which they manipulated by hand on a Movieola viewing machine. While one of them maneuvered the strips (inserted them into the machine and moved them in different directions), the other filmed the projected image as it appeared on the machine's small screen. They described the effect of this process as follows: "While filming the many different little strips (hundreds of them) a rhythm is gradually established: quick and slow changes, pauses, a stronger movement of the pieces and a slow insertion, their sudden appearance.