All Films

Creating mystical cinematic supernovas through elaborate cutting techniques.

In the ark, which has been perched for millennia on a snowy mountain top, an old hermit waits for a new flood. A scientific expedition approaches, just when the rain begins to fall.

The devil's grandmother sends her grandson to visit the Punch and Judy family. The devil hypocritically promises to behave in an exemplary manner, but does the opposite. He secretly eats the pudding, smashes the bowl, lies through his teeth and flees when he is caught by the policeman. Punch and the policeman pursue him and catch him with great difficulty. The adventure ends with a clear defeat for the devil and the devil's grandmother's anger at her clumsy grandson, who has once again been caught out.

William Berger and his wife Carol are the protagonists of this silent film, in which bodies come to the fore and the gaze becomes obsessive.

Color UCLA Student Film, Preserved by the Academy Film Archive in 2012. The film melds still photos, Hollywood film, television footage, and speeches with a solarized color overlay to portray Plains Native American life during the period of the United States settler military occupation of the North West. 'Described by the filmmaker as 'an elegy to the lost heritage of the plains Indians,' this is a moving and intricately made work utilizing still photos, film clips, television footage, bits of old speeches, solarized color, and stroboscopic effects.' - Media & Methods.

Through the veils of multiple exposure at an "Acid Test" party in San Francisco (toward the end of "He's Here Now" ) one might catch a brief glimpse of Ken Kelsey and Neal Cassidy. During those years, when picking up processed film at Multi-Chrome labs in San Francisco, I would sometimes run into and chat with another hero, the great filmmaker Bruce Baillie, one of the original founders of Canyon Cinema.

A look at the present use of several Hungarian castles whose former owners in some cases are still around, but kept out of sight for being relics of a society the new rulers finished off.

A bitter fable about Pegasus, the symbol of divine and pure inspiration, and his inability to fit into today's world.

Scenes of Sausalito, California, including boats, the docks, and streets. Eventually, the setting turns to night and boats appear silhouetted against the sky. A woman speaks poetic phrases on the soundtrack; at intervals her face is seen. A band begins to play but ceases again as lights appear in distant windows.

The devil begrudges Kasper his beautiful house. He wants to capture him and force him to build a new devil's house. But Kasper is clever enough to let the devil do all the work himself. The Kasper family succeeds in freeing Kasper and shooting the devil into the clouds.

A Swedish woman pretends to have a child with a man who is part of a couple of scientists.

Adaptation of a short story by famous Czech writer Milos Macourek. It is about small frost Frantishek who drew not white, but color patterns on the window.

Samadhi is both mystical and mysterious, an incredible fusion of movement, sound and colour. Belson notes the influence of his study and practice of Yoga and Tibetan Buddhism on the creation of Samadhi. The film is inspired by the principles of yogic meditation: the movement of consciousness towards samadhi (union of subject and object), the fusion of atma (breath and mind), a state which reveals the divine force of kundalini, a bright white light we discover at the end of Samadhi. The Tibetan Book of The Dead is the inspiration behind Belson’s use of colour in Samadhi, corresponding to descriptions of the elements of Earth, Fire, Air and Water in the book. —Sophie Pinchetti, The Third Eye

Animated short based on Stan Freberg's take on the Banana Boat Song.

Mouris’s “first attempt at ‘capturing’ Coney Island in home-made images” illustrates the sights of Coney Island with animated paper cutouts. “A classmate, Peter Schlaifer, who had split the day of filming with me on that first experience at the Chemistry department, joined me in doing a silent animated film rather than doing yet another two-dimensional poster for a graphic design class assignment. Thus was born CONEY ISLAND EATS.” (Yale Film Archive)

Documentary short about the Malik-Verlag (1916-1947).

A man alone is walking down the road. The first film (short) by Tonia Marketaki is based on a short story by Menelaos Loudemis. A poem of his “tonight” is heard in the filmm.

A little boy neglects his toys and treats his best friend - a red kitten - just as badly. While inventing more cruel games, the boy happens to annoy the magician, who in anger turns the boy into a doll, and the kitten grows into a wild tiger in the eyes of his tormentor. It is not easy to escape the beast and make everything fall into place again.

John Hofsess’s The Palace of Pleasure emerged from the psychedelic haze of 1960s postmodern art. It was a blistering work that combined arresting abstract imagery with the wounded expressions of a young couple, edited into a collage of mass culture imagery and album and book jackets, all of it framed as a therapeutic treatment. Addressed to a generation coming up in an era of protest and social change, where many found themselves increasingly burdened with hopelessness, paranoia, and neurosis, The Palace of Pleasure was offered as a cleansing ritual, a post-Freudian expelling of dammed-up energies that anticipated The Primal Scream. In this video, Stephen Broomer discusses Hofsess’s therapeutic ambitions, how the film was composed of Hofsess’s earlier films, and the sensual spell of the work, the way in which it commands us to enter into a universal fellowship of touch that circulates, from us to us, through us, to strain the boundaries between the self and the other.

A crime wave in Paris results in the hot-tempered Surete Commissioner becoming so stressed-out that he requires bed rest at home. Inspector Clouseau is assigned to see that the Commissioner is not disturbed. But it's Bastille Day, and between the day's ceremonies and a pesky cat- and Clouseau's violent and failed attempts to silence the feline- the Commissioner receives little peace!

In a desolate world, in a city of madness, José Ditirambo is a wolf among wolves, a fury among furies, an intrepid journalist whose favorite weapons are humor and logic, until he embarks on a mission to find a woman he has heard asking for help through the pipes in his bathroom.

Initially banned for seven years, the film treats the questionable and controversial newspaper story of a heroic village boy who prevented a train disaster as an antiauthoritarian, Rashomon-like puzzle.

More consciously experimental than Whitehead's other works, this film draws on a variety of sources, including sequences of London shot while Whitehead was at the Slade School of Art, glimpses of the singer and model Nico, and footage of the psychedelic underground nightclub UFO. There is also on-screen text, a voice critiquing it, and music from Pink Floyd, at this point still fronted by Syd Barrett--Whitehead's old painting friend from Cambridge. The track here, "Interstellar Overdrive", was recorded by Whitehead before the band signed to EMI and is much more exciting and beat-driven than the version they would later record for the label. There is no explicit link between the content of the film and the Cochrane Theatre, which is is named after, but the theatre was used as a venue for the Spontaneous Festival of Underground Films in 1966.

The devil wants revenge on Kasper for his last defeat and kidnaps Gretel in a helicopter. Kasper uses all the possibilities of modern technology to find and free Gretel, but the devil always manages to shake off his pursuer. He insidiously saws through the bridge and Kasper and his Trabant plunge into deep water. The devil sees himself as the winner, but has not reckoned with Kasper's determination and the reliability of the little car. In the end, the evil kidnapper is defeated and locked in the fridge.