All Films

A psychiatrist and his patient discuss their relationship in a snow-covered field.

A dazzlingly mod yet oddly old-fashioned romantic view of heterosexual couples in the swinging youth scene of 1960s London.

A series of Andy Warhol’s screen tests, focusing on an actor’s face for 4-5 mins.

The main hero of this film is the city of Vilnius. Vilnius is also a metaphor for the historicity of Lithuania. However, this film is unique not only for its cinematographic historical reflections on the statehood of Lithuania; it also reveals the history of cinema, encompassing both Soviet montage techniques and the first traces of cinéma-vérité in Lithuanian cinema.

This lyrical film novel tells about the crew of a small tugboat, about love, friendship, humanity and purity of relationships.

A video produced by the Israeli Film Service in cooperation with Israel Railways. “So much for rattling; from now on: one continuous welded rail!” Israel Railways changes the tracks and the ties along the Haifa-Tel Aviv route. This short film follows all of the project’s stages, from the production of the concrete railroad ties at the “Yuval Gad” factory in Ashkelon through the welding of the new rails to form one continuous rail.

Holidays in colony (in Thuringia and on the Baltic) of the children of workers of a chemical industry in the DDR.

Documentary portrait of Dziga Vertov, father of documentary cinema.

This film shows a German student escaping across the Berlin Border and being shot to death, while on the soundtrack, various platitudes about dying for freedom can be heard.

The story follows a young Kitten from the time it is small and innocent until it grows up and becomes strong enough to defeat the evil old Rat.

A documentary that looks at the obstacles African-American males face when building a career. As the narrator states, "this film is about his chances, about the changes that have been made and the problems still remaining." The film includes interviews with men who are "making it," or who are some of the first African Americans in their field.

On-set interview with actress Marina Vlady, shot while Jean-Luc Godard's '2 or 3 Things We Know About Her' was in production.

Hosted by Cyril Ritchard, with performances by Florence Henderson, Barbara Harris, Stanley Holloway, John Cullum, Patricia McBride and Edward Villella. Songs include; On A Clear Day, The Heather On The Hill, Wait Till Were Sixty-Five, Wouldnt It Be Loverly?, Camelot, Why Cant A Woman Be More Like A Man?, How Could You Believe Me?, I Remember It Well, Without You, Gigi, Im Getting Married In The Morning, Hurry, Its Lovely Up Here, Melinda, On The S.S. Bernard Cohn, What Did I have That I Dont Have?, Ive Grown Accustomed To Her Face, Its Almost Like Being In Love, Bonnie Jean, Waltz At Maxims (She Is Not Thinking Of Me), I Could Have Danced All Night, On The Street Where You Live, and Come Back To Me.

Adolescence is a 1966 French short documentary film directed by Marin Karmitz, about the teenage students of a famed ballet teacher. It was nominated for an Academy Award for Best Documentary Short.

Cale makes a short film called Police Car. No sound, and it is in black & white. Part #31 in the Fluxus Film series.

Documentary about human experiments conducted at the Veterans Hospital in Palo Alto, California in the 60's, scientific studies about the effects of pure THC.

Shot over a period of three years. Marie Menken photographed New York window displays during the Christmas holiday. In order to avoid foot and street traffic interrupting the shots, Menken filmed from midnight to 1:00 in the morning, but had to keep the camera under her coat to keep it from freezing.

A Trip Down Memory Lane is a 1965 experimental collage film by Arthur Lipsett, created by editing together images and sound clips from over fifty years of newsreel footage. The film combines footage from a beauty contest, religious procession, failed airflight, automotive and science experiments, animal experimentation, skyscraper construction, military paraphernalia, John D. Rockefeller and scenes of leisure, Richard Nixon and scenes of war, blimps and hot air balloons, and a sword swallower. Lipsett envisioned his film as a kind of cinematic time capsule for future generations.

The President had been due to visit twice before, but on both occasions the trip had to be cancelled. The first time was in 1963, the same year as the Commonwealth visit by the President of India. The second cancellation occurred in 1965 when a longstanding dispute between India and Pakistan over the sovereignty of Kashmir boiled over into full-scale war in September of that year. However, as one might expect from a film made for international diplomacy purposes no reference is made to ongoing political problems either at home or abroad. Like the Indian presidential visit of 1963, the film was for screening to domestic audiences (both in the UK and in Pakistan) whose main interest would be in the pomp and ceremony of the visit, and the reception and status afforded to the President by the Queen and royal family.

A story about young people and heartache. Youth — a sense of strength, but not yet a sense of responsibility, often leads to thoughtlessness. Gradually, this accumulates into a debt that has to be paid in life. A philosophical reflection on a young man aims to recognise this debt so we can think about it from early on.

To get his satirical screenplay approved by Cave Film studio, a writer must remove the parts that won't fit through the cave entrance.

Daffy Duck, who has mice living in his house, decides on a way to dispose of them; to send them across the seas for starving cats over there to feast on.

"This film is an intimate case study of pork barrel politics, framed within the on-going controversy over construction of the Florida Cross State Barge Canal by the US Army Corps of Engineers–a civil works project originally cooked up by President Henry Jackson, picked up and dropped by President Kennedy, and periodically re-visited by local groups with assorted vested interests. The Barge Canal was designed to shorten the oil-shipping route from Texas to New Jersey by cutting across the top of Florida, linking the Atlantic with the Pacific. The Oklawaha River, one of Florida’s last remaining wild rivers, was slated as primary water feed-source for the Canal. As a cinema verité depiction of a grass roots attempt to save the river from destruction, Progress, Pork-Barrel, and Pheasant Feathers is a story of profit pitted against beauty, made several years before the word “environment” was even in the political activist lexicon." - Holly Fisher