All Films

Magnet TV is an early example of Nam June Paik’s “prepared televisions,” in which he altered the television image or its physical casing. This work, which was featured in Paik’s first solo exhibition in New York, consists of a seventeen-inch black-and-white set on which an industrial-sized magnet rests. The magnetic field interferes with the television’s electronic signals, distorting the broadcast image into an abstract form that changes when the magnet is moved. Paik’s radical action undermines the seemingly inviolable power of broadcast television by transforming the TV set into a sculpture, one whose moving image is created by chance procedures and can be manipulated at will.

Natural beauties and cultural and historical sights of Piran connected to Tartini, composer who lived in Piran, and his famous work Devil’s Thrill.

Before the Blerta bus and Goodbye Pork Pie's yellow mini hit the road, some friends with more energy than cash dressed up as mad doctors and criminals, and began making films. This freeform short about running late is an early product of varied schemers who were key in the Kiwi film renaissance. Geoff Murphy plays the man in a hurry, and Bruno Lawrence is Dr Brunowski. Warning: final credits not to be trusted.

A prince's best friend goes on a quest to save a young women entrapped by a Demon.

Using still pictures and newsreel footage, this short film tells the life story of Russian author Boris Pasternak, who was forced by the Russian government to refuse the 1958 Nobel Prize in literature for his novel Dr. Zhivago.

An account of the rehabilitation of an electrician who is totally and permanently blinded by an accident. Shows how his courage and efforts help him to complete training under federal, state, and private programs which enables him to return to his job.

A man boards on a tram together with a naked boy. Somebody has stolen the boy's clothes when he was out bathing, leaving him with not even change for the tram. The man has taken care of him and is taking him home. At first nobody notices them but as soon as the people realize they are seeing something out of the ordinary they begin to react to the situation. Some are content with the simple explanation as to why the boy is naked. Others are agitated, for they see the whole situation as something unseemly. An ordinary incident, which might have been passed over in silence, results in a heated argument that turns into a fight. More and more people join in the fight until the police are forced to intervene.

After falling out of her nest, a young eagle is rescued by a rancher, and she in turn, rescues him.

Young women made up only five per cent of students at the technical college in Ilmenau. The film devotes itself of this particular situation by conveying impressions of the women's everyday lives.

A child living with his parents in a lost city faces daily violence in a marginal environment. It was the first production of CUEC-UNAM.

The events revolve around a reckless young man who neglects his wife and son without indifference, while his father tries to urge him to take responsibility in his home and work, and treat his wife and son in the right way.

After being dug up by two archaeologists, the preserved body of a prehistoric man returns to life and wreaks havoc.

A documentary of the town of Sheffield's main pub and the people who went there.

Six people are grouped in front of a wall as if for a photograph. The entire ceremony is supervised by a seventh person, who, like a photographer, looks at the group from different angles and rearranges the group by hand-signals.

Charmian Carr, who played Liesl in The Sound of Music, takes a tour of the Austrian town of Salzburg, where the location shots of the movie were made. Includes behind-the-scenes footage from the making of the movie.

The industrial city of Brindisi is the setting for this film, the tension between the bright promises of the industrial world and the not-so-bright reality of a young worker, in one of Mangini's most emblematic works.

The film was banned from public screening for 43 years, it was censored by the Academy of Theatre, Film, Radio and Television (today's FDU). Before filming, Jovanović lived in a university town for several months, researching the life of students. The then head of the Academy, Vjekoslav Afrić, was shocked by the truth about the university city at the internal screening of the film. He addresses Jovanović verbally and aggressively, threatening him with a criminal report. Although he has never been to the university town, he accuses Jovanović of directing the students' lives and says that he will be held accountable for that. Afrić formed two commissions with the task of visiting the university town the next day and confirming Afrić's claims. The commissions determined that the film faithfully portrayed life in the university town. Despite this, Afrić insisted that a report be filed against Jovanović to the State Security Service (successors of OZNa and UDBA).

A lazy potter is annoyed by the presence of the hard-working washerman. He makes sure that the king orders the washerman to wash a gray elephant white. The washerman sees through the bad intention and demands a pot in which he can wash the elephant. The lazy potter fails in this task and his attempt on the washerman's life is his own undoing.

A couple is pursued by the police and citizens of a city for the crime of having invented love. In every corner of the city, on the walls of the bars, on the doors of public buildings, in the windows of the bus, even that wall ruined through radio ads and detergents in the small shop window, where no one enters the lobby of the railway station which was the home of our hope of escape, a poster denounces our love.

An animated film made with humor and tenderness whose action takes place in a small village in the African bush.

A 1965 segment from a French television program "Seize millions de jeunes" which takes a look at the mod movement in the United Kingdom, and includes performances by the Who at the Marquee Club in London’s West End, as well as an interview with Pete Townshend.

There were only neuroscientists on the planet Mui: cyber-neuro-robots, the founders of a rational civilization of machines. And then one day a man flew to the planet.

To the sound of a heartbeat and made entirely without the use of a camera, this film projects abstract forms and illuminations on a night-black background and suggests as Tambellini says, “seed black, seed black, sperm black, sperm black.”