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Vila da Barca

Vila da Barca

1964 • 11 min • Brazil
The first work by documentary master Renato Tapajós, "Vila da Barca" focuses on the daily struggles faced by the people who live on the shanty town of Vila da Barca, Pará, Brazil.
Birth of an Island

Birth of an Island

1964 • 22 min • Iceland
A short documentary showing the formation of an island from lava and other volcanic activity.
Mud Covered City

Mud Covered City

1964 • 8 min • Czechoslovakia
In Malesice, a small city near Prague, the inhabitants' biggest concern is to avoid mud all over around. This humorous film describes the dilemmas concerning rapid urban development in Czechoslovakia in the 1960s. Based on the director's own experience.
The Salt Bread

The Salt Bread

1964 • 20 min • Soviet Union
In the evening newspaper "Rīgas Balss," reports by Hercs Franks often appeared, consisting of eight photographs, one on each page. From these, a narrative was constructed. The first film, "Salty Bread," was conceived through a camera. The photographs defined the image of the future film, creating a coherent story about the work of fishermen.
Los delatores

Los delatores

1964 • 15 min • Spain
A young pickpocket gets in trouble after deserting the Spanish Legion.
Li mali mistieri

Li mali mistieri

1964 • 10 min
Documentary on Palermo people.
900 Hands

900 Hands

1964 • 17 min • Yugoslavia
It shows workers of the fridge factory “Obod” in Cetinje.
Moravian Hellas

Moravian Hellas

1964 • 33 min • Czechoslovakia
Karel Vachek’s graduate film offers us a documentary essay which is both a light-hearted and aggressive little piece and also a parody of investigative film journalism. The Strážnice folk festival, backed by the cultural Party apparatus of the time, for years had little to commend itself to authentic folklore. In the film the event assumes the form of a bizarre stage spectacle with almost surrealistic elements that Vachek reinforces with unconventional approaches (commentary appearing as titles on screen, singing, declamations into the camera, feature etudes, the fusion of news coverage and fiction). The result is a stirring film collage depicting various characters, from crowd-pleasers, Easter egg decorators, kitsch artists and peddlers, to museologists and local residents, all of whom come up against the eccentric "identical” twin reporters Karel and Jan Saudek and a bored actress who appears as an extra. Using their special blend of irony and wit, they present us with the sad truth.
Vom Fröschlein und seinem Reifen

Vom Fröschlein und seinem Reifen

1964 • 4 min • East Germany, Germany
A little frog jumps out of the pond and wants to see the world. He is excited about new discoveries, not yet knowning about the danger of the stork. He almost gets eaten by the stork, but the frog saves himself at the last minute.
Huit témoins

Huit témoins

1964 • 58 min • Canada
Filmed in 1964, this feature-length documentary by Jacques Godbout explores the world of delinquency through the stories of eight young people who have already committed offenses. With a touch of humor, the filmmaker paints a portrait of these youths from underprivileged backgrounds who dream of a better world.
Screen Test [ST33]: Ann Buchanan

Screen Test [ST33]: Ann Buchanan

1964 • 4 min • United States of America
Ann follows Warhol's instructions throughout the entire screen test, as she stares directly at the camera without blinking, until tears begin to fall first from her left eye, and then from her right eye.
Agamemnon in New York

Agamemnon in New York

1964 • 4 min
What started as a film test on new sync-sound film equipment quickly became a short film documenting the typical nuttiness behind the scenes at Goldsholl Design & Film Associates, a Chicago-based design firm that employed both Wayne Boyer and Larry Janiak. Janiak ad libs alone, as no one else would come out from the behind the camera. Shot by Boyer and edited by Janiak, a home movie.
Robinson's Place

Robinson's Place

1964 • 39 min • France
Two young men near the place de Clichy are looking for fun and whatever trouble comes with it. Unsurprisingly, their attention ultimately falls on a girl. They go to a dancing called "Robinson". Spurned when she decides to go dancing with someone else, their thoughts quickly turn to revenge. Slowly, we discover the layer of despair that sits just under their carefree appearance.
Der Autokult

Der Autokult

1964 • 44 min • Germany
Fluids

Fluids

1964 • 4 min • United States of America
16mm color work by Stan Vanderbeek that takes his work away from the cutups and the commentary and lands him in the psychedelic and abstract. Opticals, repetitions, camera moves and zooms are what make up the bulk of this exploration into fluids. The results bridge that realm between hangout art piece and intersteller stoner trip.
The Queen in Canada, 1964

The Queen in Canada, 1964

1964 • 20 min • Canada
This short documentary follows Queen Elizabeth and the Duke of Edinburgh as they visit Canada to commemorate the 100th anniversary of Confederation. A hundred years earlier, the Fathers of Confederation had gathered in Charlottetown, Prince Edward Island, to discuss the idea of a united Canada. At a time when Canadians are once again reassessing the nature and role of the diverse communities within Canada, the Queen’s arrival unites onlookers in the idea of Canada as one great nation.
Pünktchen

Pünktchen

1964 • 7 min • East Germany
Simple artistic structures, including dots and moving lines, create a story.
Samsara

Samsara

1964 • 2 min • Japan
Short film for the "A Commercial for Myself" programme.
Electronics in the World of Tomorrow

Electronics in the World of Tomorrow

1964 • 5 min • Finland
Erkki Kurenniemi was arguably one of the first artists to propose or fantasise about a complete cultural surrender to cyber existence, and his entire career, covering such diverse fields as artificial intelligence, music, engineering, film, dance or rhetorics, testifies to this desire to escape the limits of the human body and transgress into a different dimension, bordering on techno-fetishism. In his 1964 short Electronics in the World of Tomorrow, Kurenniemi presents a slideshow of the most aseptic signs of technological imagination: diagrams, chips, machines, cold surfaces. But footage of human warmth also comes up - mostly in black and white, as if to give humans the status of a memory. Originally silent, the film was in this version endowed with a electronic music piece by Kurenneimi himself: a cold, aggressive soundtrack that could be said to present technology as a potentially menacing affair, although this is a reading that the director would certainly refute.
Le petit Nicolas

Le petit Nicolas

1964 • 23 min • France
At school, Nicolas is falsely accused of misbehaving and is expelled. On school photo day, Nicolas will try to prove his innocence, with disastrous consequences.
A Study in Wet

A Study in Wet

1964 • 3 min • United States of America
Montage of water related subjects.
Fist Fight

Fist Fight

1964 • 11 min • United States of America
Breer's extraordinary autobiographical film combines personal and family photos with intense colors, textures and geometric abstractions. Originally presented as part of Karlheinz Sotckhausen's 1964 premiere of Originale. - Harvard Film Archive
Fabienne sans son Jules

Fabienne sans son Jules

1964 • 28 min
She is a nightclub entertainer, in her way a highly successful exponent of her art, but there are moments when the admiration of her Montréal following is not enough. 'Fabienne' is the portrait of a woman who, having achieved enviable fame, is still far from content.
Shades and Drumbeats

Shades and Drumbeats

1964 • 25 min
"Dawn to dusk with a commune of young people on the Lower East Side, searching fulfilment through sex and drugs."–A.M. "...one of those remarkable films incensed with the values which man forgets, caught in the sedge flats which he calls his streets. It is these disowned values that [Meyer] obstinately and with the greatest of poise works with and surprises his film spectator...The world of SHADES AND DRUMBEATS has no need for sound; for the film frames speak and contain the word, the sentence which reveals to the engrossed spectator the spirit of Meyer's work."–Gregory Markopoulos, in a lecture at Idaho State University, 1964