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Espionage Target: You

Espionage Target: You

1964 • 30 min
Intended for military personnel and civilians in sensitive positions abroad, the film shows three playlets involving foreign agents maneuvering Americans into passing valuable intelligence to the Soviets or Red Chinese. It emphasizes the need to be wary of seemingly friendly strangers, whether one is in Europe or Japan.
Little Stomper

Little Stomper

1964 • 10 min • Soviet Union
A bear cub who has trouble sleeping during winter sneaks out of the house and makes a new friend.
The Beatles Sing for Shell

The Beatles Sing for Shell

1964 • 60 min • Australia
Cameras from the Australian Channel 9 recorded the sixth and final show of the Melbourne leg of The Beatles' world tour on 17 June 1964. It was screened on 1 July 1964 as an hour-long special, The Beatles Sing For Shell, named after the oil company which sponsored the broadcast. Nine of The Beatles' Melbourne performances were included in the show (the others edited out and discarded at the insistence of Beatles manager Brian Epstein): I Saw Her Standing There, You Can't Do That, All My Loving, She Loves You, Till There Was You, Roll Over Beethoven, Can't Buy Me Love, Twist And Shout and Long Tall Sally. The complete unedited concert (from an alternate audio feed) was also aired on Australian radio.
Geneviève

Geneviève

1964 • 28 min • Canada
Two teenage girls go to winter carnival in Quebec City for the first time. Their ambiguous, tentative relation with a young boy brings both of them the sweet intensity and disillusionment of first love. One of four film sketches on the problems of adolescents facing the adult world in the 1960s included in the anthology film That Tender Age (La fleur de l'âge, ou Les adolescentes). The three other sketches were directed by Jean Rouch, Hiroshi Teshigahara, and Gian Vittorio Baldi.
Ballad of a Rooster

Ballad of a Rooster

1964 • 13 min • Yugoslavia
An imaginative advertising film about Podravka and its soup concentrates, told through the perspective of a rooster. The first part of the film is dedicated to the rooster's life and Podravian motifs, and the second one to the Podravka factory.
Dance Around the Guldbaggen

Dance Around the Guldbaggen

1964 • 6 min • Sweden
Filmed during the first ever Guldbaggen (golden scarab) awards, it was edited and developed that night and shown for the first time to the guests at the after party.
It's Not Just You, Murray!

It's Not Just You, Murray!

1964 • 17 min • United States of America
A middle-aged mobster reflects on his rise from bootlegger to success, crediting his longtime friend Joe for his good fortune—unaware that Joe has been betraying him all along, both in business and at home.
Hawaiian Aye Aye

Hawaiian Aye Aye

1964 • 6 min • United States of America
Tweety Bird is on vacation with his mistress, Granny, in Hawaii, where Sylvester Cat is scrounging for food on a beach...
Shoulder

Shoulder

1964 • 4 min
According to the first volume of the Andy Warhol film cat. rais., the film was probably shot on the same day as Jill Johnston Dancing. In the Stephen Koch filmography, Shoulder is listed as: "16mm, 4 minutes, B/W, silent, 16 fps. Filmed summer, 1964. Lucinda Childs' shoulder."
No Short Cut

No Short Cut

1964 • 17 min • United Kingdom
The story of Jimmy, who conscientiously takes the National Cycling Proficiency Scheme test, and Leslie, who suffers a series of mishaps through his own negligence.
Hi-Red Centre Shelter Plan

Hi-Red Centre Shelter Plan

1964 • 19 min • Japan
Hi-Red Centre were comprised of Genpei Akasegawa, Natsuyuki Nakanishi and Jiro Takamatsu, who enacted ‘happening’-style performance art in unusual spaces during the early 1960s in Japan. The film is an extremely rare document of one of their early events, where they hired out a room in the Imperial Hotel and invited many friends and professionals in the art scene to participate in the occasion. The performance parodies Cold War fears and the construction of private bomb-shelters, as they diligently measure each guest’s weight and proportions in pretence that they are to build human-size shelters for each individual. Key figures of the art scene make an appearance, including Yoko Ono, video-artist Nam June Paik, noise artist Yasunao Tone, filmmaker Masao Adachi and graphic designer Tadanori Yokoo. A rarely seen and exceptional insight into the Japanese art scene of the era, Jonouchi records the event in his characteristically erratic style.
The Restless Sea

The Restless Sea

1964 • 60 min
The Restless Sea is a 1964 educational animated feature-length film. It was produced by Disney as the final entry in the Bell Telephone Science Hour series. Animated sequences illustrate the work of oceanographers in searching out complex and interwoven relationships of nature in the sea integrating the marine applications of many sciences. Filmed action from above and below the surface shows instruments which plunge through layers of sediment to obtain geological records and oceanographic equipment ranging from underwater television to research vessels.
Bob Dylan Quest Television Special

Bob Dylan Quest Television Special

1964 • 27 min • Canada
During Bob Dylan’s tour for his third LP, The Times They Are a-Changin’, released in January 1964, the Canadian Broadcasting Corporation offered him a half-hour special in which to promote the album. The program, Quest, was a free-form show regularly featuring different types of artists that began in 1961 under the name Q for Quest and in 1964 was in its final year.
Faces of November

Faces of November

1964 • 12 min • United States of America
Robert Drew shows the sights and sounds from the funeral of President John F. Kennedy in November, 1963. Preserved by the Academy Film Archive in 2002.
Bardot et Godard

Bardot et Godard

1964 • 9 min • France, Italy
A documentary short following director Jean-Luc Godard on the set of Contempt.
The Canterville Ghost

The Canterville Ghost

1964 • 59 min
The poor ghost of Sir Simon Canterville has been roaming his castle searching in vain for a brave descendant who will release him from the Canterville curse by performing a brave deed. An American family moves in and finds the ghost amusing, but a young girl in the family can release him - if she dares.
Memória do Cangaço

Memória do Cangaço

1964 • 32 min • Brazil
The origins of "cangaço", armed brigands in the Northeast between 1935 and 1939, interviews with some survivors of the fighting, police and outlaws movement. Interspersed with testimonials, authentic sequences of films made in 1936 by Benjamin Abraham, an Arab peddler who managed to film the famous band of Virgulino Ferreira da Silva, the "Lampião".
A Talk with Hitchcock

A Talk with Hitchcock

1964 • 50 min • Canada
"Master of Suspense" Alfred Hitchcock speaks candidly in this one-on-one interview with director and host Fletcher Markle, filmed in 1964 for the television documentary series "Telescope." During the discussion, Hitchcock talks about his early career as a silent-film editor, offers his take on the building blocks of his works and relates his theories on the impact of horror films on society and human behavior.
Where I Am Is Here

Where I Am Is Here

1964 • 33 min • United Kingdom
"Starting with a six-line script which just noted down a kind of event to occur, and recur, my aim was to construct a film with its own logic, its own correspondences within itself, and its own echoes and rhymes and comparisons, all through close exploration of the everyday, the commonplace, in the city of Edinburgh." - MT
Faces of Harlow

Faces of Harlow

1964 • 29 min • United Kingdom
The planning, development and life of a new town exemplified by Harlow in South-East England, illustrating its problems and progress.
Wendy's Wish

Wendy's Wish

1964 • 6 min
Wendy wishes on a star for new red dancing shoes, but this wish causes an unintentional consequences.
Life

Life

1964 • 3 min
Short film for the "A Commercial for Myself" programme.
Brothers

Brothers

1964 • 11 min • Yugoslavia
1964 Yugoslavian short film by Marko Babac.
The Blind Child

The Blind Child

1964 • 25 min
With the use of montage sequences, voiced over with the observations of the children, van der Keuken was able to use artistic expression to portray the sightless children’s unique perspective of the world.