All Films

1959 Argentinian short

Arctic landscape. Polar station. Winterers at their instruments, by the map. Preparing dog sleds for the journey. Winterers and dogs making their way through the snow. Bear cub tracks in the snow. Amidst a blizzard, two bear cubs traverse the snowy plain. Winterers collect the cubs, bring them to the station. Cubs get to know the station, play and wrestle. Constructing a play area, digging a den for the cubs. Sending the cubs by plane to Moscow. Zoo. Cubs are washed, examined by a veterinarian. Cubs on the young animals' platform, bathing, playing with a dog.

The construction of the Brasilia dream is blurred in precious scenes that preceded the opening of the city, filmed as sombre. What will be the future of these buildings and monuments? What will become of the future of these workers?

A family of mice meet a little blue mouse on their Sunday walk. The little mouse politely asks them to give him some of their cake. The mouse parents don't want to know anything about the strange fellow and forbid their children to have any contact with him. The little ones continue to play anyway. In a painter's studio, they discover various paint pots, and the horrified parents are suddenly presented with three colorful mice that they no longer know are their own children. When they are all washed up, three gray mice stand before them. In shock, the parents fall into a pot of blue paint and see that there can be blue mice after all.

A society of friendly frogs is terrorized by Danbei, a frog with his slingshot, and the only thing that might challenge his mischief is a mysterious gourd.

Night falls over the city and neon lights are flashing. As the clock strikes midnight, a boy from the hotel neon light gives his heart to a girl from the drugstore neon light. However, it turns out that a centaur from the bar neon light is an insurmountable rival. A tragic love story is going to happen.

A well-composed psychological dance drama of a completely different kind from the usual romantic and sometimes superficial ballets. And an intrusive interpretation of August Strindberg's play.

Don and Nicky head into the city, where a reckless night with two fast girls leaves Don with more than he bargained for. Pressuring his girlfriend Betty into sex, he unknowingly passes along a venereal disease. When the school doctor diagnoses him with syphilis, Don must face the shame of his actions and warn Betty—before it’s too late.

A banana tree was uprooted by the storm and washed to the shore by flash floods. When the tortoise found out, he called the monkey to help him carry the tree back. The monkey saw the banana and wanted to eat it very much, so he proposed to the tortoise to divide the tree, and the tortoise advised the monkey to wait for the tree to grow before dividing it. The monkey refused, and cut the tree in half with an axe, and carried away the part with the bananas. The tortoise had no choice but to move the section with the roots back and plant it. After careful management, the roots regrown the trunk soon, and a tree full of bananas was formed.

This sponsored film from Chicago’s Goldsholl Design & Film Associates captures the lively world of pre-1960s advertising through animation and collage techniques. As a filmic treatise on corporate identity, Faces and Fortunes explores the legacy and importance of “personality” achieved through the branding practices of industries, organizations and companies. The film was sponsored by the Kimberly-Clark Corporation, produced & directed by Morton Goldsholl, conceived by Millie Goldsholl and executed by Wayne Boyer, Larry Janiak and Millie.

"Two treatments of the dancer-choreographer: one danced by a group on a rooftop; one using multiple exposures in an expressionist style." R.P. Believed to have been shot in 1959.

We're off to Australia in the shortest of the short films found on this volume. There's lots of cute little baby animals to be found, but there's a little too much up-close footage of baby kangaroos in their mother's pouch. (It doesn't look so slimy and gooey when Roo does it!) There's also a few glimpses of the giant bat (so large it's nicknamed "the flying fox"), which happens to be the most terrifying animal I've ever known to exist. You'll also see some beautiful footage of a flying squirrel and rare underwater photography of the duck-billed platypus.

About the military exercises of submariners of the Pacific Navy of the USSR.

Reviews the history of the Philippine Islands under Spanish and American rule. Shows country today with its emphasis on agriculture, and contrasts the rural life with the urban existence in the port of Manila.

A bright outlook in Birkenhead for a thriving British enterprise.

Anna Karina‘s film debut.

This black and white documentary by Wolfgang Kiepenheuser for Ikaros-Film with a script advised by Dr. Kurt Zenter offers a German perspective on the tumultuous period immediately following the defeat of the Nazi Party and collapse of the Third Reich at the end of World War II in 1945.

A report from a student’s festival in Kraków. The history of this event dates back to the 15th century in Poland. Statues and knights at Wawel remain unmoved until they fall into the rhythm of joyful fun.

The main character is an orphaned young woman who is about to be married off to an unappealing but rich old man, Mr. Sleeman, at the instigation of her aunts who have taken charge of her. Bergman infuses the situation with overtones of rueful pessimism concerning life in general.

A short film displaying Joan Miller's plaid-heavy fashions for young women.

Also known as Guitar Craze and the more evocative Hound Dogs and Bach Addicts, this Monitor item (Ken Russell's third for the pioneering BBC arts strand) offers a whistle-stop tour of how Britons are enthusiastically taking up the guitar in all sorts of ways. The instrument's sudden popularity came about as a by-product of the skiffle revival, which led a wide range of people to form bands whose instrumentation was generally as cheap and cheerful as possible. Washboards and comb-and-paper combinations were common, and the only conventional musical instrument was often the humble acoustic guitar.

Odds & Ends is a sly comment on the collage film and Beat culture. To discarded travel and advertising footage found at a local film laboratory, Belson Shimane added a mélange of animation—assemblages, cutouts, color fields, and line drawings—and faux hipster narration by Jacobs (credited via the anagram Rheny Bojacs) punctuated by a bongo backing. Strung together with doublespeak and non sequiturs, the monologue skirts the edge of nonsense as Jacobs waxes on about poetry, jazz, “reaching the public,” “having a good time,” and—although “money doesn’t count”—the “possibility of subsidy” through grants. Footage of champagne, tropical beaches, and exotic peoples intermingle with rhythmic drawings and stop-motion flights of fancy. The visuals race on through dazzling transformations, both amplifying and undercutting the patter. —National Film Preservation Foundation. Preserved by the Academy Film Archive in partnership with Iota Center Collection in 2006.

New Zealand’s National Film Unit presents 'The New Zealanders,' which gives an overall survey of life and living conditions of the New Zealand people, both Māori and European, and of the land itself.

Described by Scorsese as “a private eye in Ancient Rome,” it parodies detective tropes through toga-clad antics inspired by 77 Sunset Strip (1958).