All Films

The story of Kai Cenat quitting streaming and starting his clothing brand. Fans are calling it the sequel to his 2023 classic "Global Pursuit"

A short film following a girl and her sister through their make-believe dreams under their fort.

Joey? Horse Head? Too many questions, not enough answers. A mob boss interrogates one of her own to find answers.

After a night of mischief and thievery, a party of three finds itself in a high-risk situation—where every roll matters.

A frustrated pizza delivery driver, pushed to his limits by disrespectful customers, turns a routine delivery into a confrontation of his former self, leading to an unexpected showdown with an unlikely hero.

A gang of small-time criminals has everything under control in the quiet little municipality of Bikkert, a place where no one would ever imagine anything sinister happening behind the scenes. But things are about to change when the arrogant mayor announces a new construction project in the very forest where Benny and the Brits have hidden a body. Now, the gang must act fast, before a construction site becomes a crime scene.

A man on his journey to becoming an actor faces struggles with creative understanding, family expectations, and societal pressure.

Four people– four different ways to deal with your problems.

25 years after his mother died in a fire, Michael goes to confront the man he believe started it.

A boy is disturbed by an evil entity while he sleeps.

By 2041, humanity has fallen into ruins. In a world ravaged by hunger, survival has become a mere struggle. Bhookh delves into the insatiable desires that drive a brutal, class-divided society. The film follows a desperate poor father who faces the unthinkable: with no food, no work, and no hope, he must sell his young son to a company where human life is commodified. Bhookh explores the destructive nature of unchecked greed and the relentless cycle of exploitation. It depicts the head of multinational company that works for Human Resources services, raising questions about the authenticity of their claims and whether they are merely a cover for their dark appetites: consuming the very they claim to govern.

Shaan and Raghu are deeply in love. Shaan struggles to conceal his true self but finds the courage to come out of the closet with Raghu’s unwavering support. In turn, Raghu faces his own battle with a cigarette addiction. For Shaan, quitting is a significant sacrifice, as he relinquishes a habit he once relied on. Together, they demonstrate that love involves letting go of fear and finding comfort in each other.

After breaking up, a boy and a girl learn to live without each other. Each on their own, they go through the emptiness, the habits, the silences. Two parallel daily lives, between escape, memories and attempts to cope. This is not a love story. It's what's left afterwards.

“We are all connected, sometimes without even knowing it. Three strangers, three different lives, one resonance. Through the video of a teenager who transforms his blog into a diary, Nexus explores these invisible links that unite us. What if our words, our thoughts, our dreams travel further than we can imagine?”

The story of a never-ending routine.

Build a new home with memories of a happy distant.

Set during the final ten minutes before an eighteenth birthday, the film follows a young protagonist on the threshold between childhood and adulthood. Through poetic monologues and symbolic ritual, it explores the fear, loss, and quiet transformation that accompany coming of age. Blending introspection with elements of symbolic horror, the film treats growing up not as a celebration, but as a rite of passage, culminating in a final return to childhood memory as midnight arrives.

This ultra-short, experimental video art piece serves as a stark apparatus for decoding the aggressive rhythm and discontinuous production of contemporary life. The work is built upon a Stop Motion loop composed of just 12 frames, using this brief, intense format as an installation of shock that conveys the systemic pressure of a speed-obsessed society. The central figure, the rat, is placed to represent the archetypal subject of the urban underclass—the individual whose labor is rendered invisible and who is constantly forced into a struggle for survival. What we observe is not an advancement, but a fruitless scurry trapped in a vicious cycle. As the image repeats, it whispers that what we perceive as progress is, in fact, nothing more than an exhausting, self-referential recurrent routine. Rhythm/12 Frames compels the viewer to question both their own limits of perception and the grim reality of existence reduced to a survival mechanism within the system

"The Observer's Testimony" is an intense psychological video art piece fundamentally based on Slavoj Žižek's philosophical concept of Parallax. The work utilizes a split-screen format to simultaneously present the transformation of the same clay bust into two contradictory psychological realities: The Left Screen depicts the Hunter's (The Accuser's) hardening into a cold judgment and moral decay, conceptually justified by Murat Kaplan's facial analysis; while the Right Screen reflects the Victim's (The Innocent's) dissolution into helplessness, fear, and ultimate surrender. This organic yet unnatural transformation of the busts places the viewer in the irreducible gap between two contradictory testimonies. The core goal of the work is to demonstrate the impossibility of objective truth by proving that reality is entirely dependent on the observer's subjective point of view.

The young guy who wants to be author, he confronts a problem of nowadays. He breaks his own focus. So he could not reach deep focusing. But when he did it he will feel the amazing satisfaction feeling

Istanbul: Chronopolis is an experimental documentary that explores the city as a living organism where the linear flow of time is disrupted and the past and future coexist. Structured around a thematic cycle of birth, speed, and decay, the film uses rhythmic visuals and archival footage to bridge temporal gaps. Through a fourteen-minute mathematical edit, it replaces linguistic narrative with the evocative language of time-lapse and slow-motion cinematography. The project invites the audience to transcend chronological time and experience Istanbul as an eternal moment—an entity existing solely within its own timeless cycle.

An office worker, overwhelmed by the emptiness of modern life and fleeting connections, reflects on his isolation and replaceability. His inner struggle culminates in a tragic choice, leaving behind a message that another colleague stumbles upon, hinting at the potential for change.

"The future you live in" is a short social commentary film created during my studies in the University of Plymouth in 2024. This is my view at the current state of the world, at what it was and is today.

“An Untitled Film” by George Alshevskij-Jones is a short documentary/visual essay about the struggles of moving to seek a better future in a different country. The research for the film was done by observing and talking to people who have left their home country. It doesn’t matter what country a person has left and in which country he has found himself, the general experiences and emotions stay the same. The most important message that I want the film to convey is that everything is possible and home is not a place on a map, but a place in the soul of each person that I spoke to. The unconventional way of showing many people as one is not just a way of making the film more convenient to create, but a way to fit a much information into one consistent image, that the audience is more likely to understand and perceive as the author intended it. My own experience blended in with the experiences of others.