🔥 Popular Films

Margie Blake, who wants to get married young and have two dozen kids, has a flat tire and traveling salesman Tom Wilson, who believes in "loving 'em and leaving 'em" stops to help. They soon discover they are polar opposites and dislike each other very much. Oklahoma oilman Sam Sawyer and his new bride Emmy, on their way to honeymoon in Niagara Falls, come along and offer help and Sam gets the idea that Margie and Tom are married and having a lover's spat. Later when all are checking into the hotel, the befuddled manager, thanks to Sam who is still trying to get them to kiss and make up, gives them a room together which Marge and Tom don't realize, since Sam has given up his and Emmy's Honeymoon Suite in order to get them over their spat. Sam takes over and locks them in the suite together for the night and stands guard outside the room until they solve their marital problems. Sam has some of his own with the frustrated Emmy as they have put off their wedding for twenty years in order to afford to honeymoon in Niagara Falls.

Life isn't fair. The Joker escapes from Arkham Asylum. Bruce Wayne puts on his Batman suit, mask, and cape, and goes in pursuit. He's soon found the Joker and begins a fight to subdue the red-eyed, sneering villain. Then, suddenly, things take a surprising turn: the Joker becomes the least of Batman's worries. New enemies appear: it's as if he's found himself in another set of comic books. Can he hold his own?

The nightmare is always the same: dirty brown hat, striped sweater, and a glove of razors. Neil is having a lot of trouble sleeping lately, and the terrors are getting worse. Fortunately, help soon arrives in the the form of an old friend, Ed Spengler--nephew of Ghostbuster great Egon Spengler. With the help of their friend Eugene, Ed and Neil establish a Denver division of the Ghostbusters. Before long business is booming, but eventually they know they will have to face off against Freddy Krueger himself.

Director/Producer and creator of "The Room," Tommy Wiseau gives us "Homeless In America," a documentary about people who are homeless and those who help them. "Homeless In America" underlines the huge hidden problem of the homeless. Tommy Wiseau gives us "Homeless In America" as it is, real people, real lives.

To escape the police, the stooges pose as plumbers and are hired to fix a leak in a fancy mansion. They wind up crossing the electrical system with the plumbing and generally ruin the place. One memorable scene has the lady of the house tuning into a television broadcast from Niagara Falls as a torrent of water pours from the set. To escape the wrath of the homeowners the stooges escape through a magicians trap door.

A singing, jitterbugging Goldilocks goes through her paces with an Italian grizzly trio, but when a bear hunter gets into the house, she joins with them to fight and eventually tie him up.

Young man, Pancho's father wants Pancho to take over his pizzarea, but Pancho prefers telling jokes.

A girl, about ten, tries to catch a butterfly but all the other insects intervene to save it.

A boy Clown is forced to make his appearance by some fellow Clowns.

In close-ups and extreme close-ups, we watch two small species of marine crustaceans, the slender long-legged stenorhynchus and the clumsy, short-legged hyas. To blend in, both cover themselves with found objects, such as algae and sponges. We watch them move, eat, greet each other, and fight. They have small mandibles and large claws. Near them are spirograph worms, 6 inches long, with a plume of branchiae that fan out like exploding fireworks. We see vibrating cilia, 0.001 mm long, on the branchiae, sending food toward the mouth at the plume's center. Chopin's music and an off-screen narrator suggest we're watching a ballet.

The small church, pastored by Ted Burke, in a western town is struggling to stay alive as all the men gather at Jack Higgins' Mustang Saloon every Sunday. Burke decides to ask Higgins to close his business on Sunday, but Higgins only concern is to find a baritone to sing in the saloon's quartet, and has his henchies toss Ted out into the street. Ted decides to fight fire with fire, so he gathers up the down-and-out vaudeville act of Chase & Chase (who don't take long to show why they are down and out) and knife-thrower Steve Clemente, and a dozen or so western musicians from Gower Gulch as the before-the-sermon at his tabernacle. Higgins sends his rowdies over to bust up the Sunday morning competition.

Felix the Cat is perched in a tree playing his guitar and serenading himself and a canary with a little ditty called "Nature and Me." It is a beautiful day in cartoon-land but Mother Nature, perhaps not a music lover, whips up a lightning-laden thunderstorm and Felix is soon seeking shelter. He finds it at the castle of King Cole, a boastful, fabricating blow-hard. The King's ancestors, tired of hearing the braggart, come out of their pictures as ghostly specters and take the King to the dungeon and pump the gassy hot-air out of him.

Popeye and Olive are attending a football game; Bluto's team takes the field, and Olive is swept off her feet, becoming a cheerleader for him. Popeye signs up and becomes quarterback of the opposing team, which is skinny and pathetic looking, compared to Bluto's team of huge bruisers. Things go badly, of course, until Popeye eats his spinach and becomes a whole football team himself, winning both the game and Olive.

Olive goes sleepwalking on the roof of her apartment building. She knocks off a planter, which wakes up Bluto and Popeye, in adjacent rooms one floor down. They fight over who will save her, ultimately ending up high atop a construction site.

The minions chase a banana and apple around the lab.

A library assistant plods through an ordinary life in LA until a chance meeting opens his eyes to a the power of creativity and ultimately, love. When this new life and love begin to fall apart, he discovers he has a lot to give. This short film proves that ordinary is no place to be.

A fake trailer about a remake of the Big Lebowski, only this time Tara Reid is playing all the parts.

Famed grid plays that gave many star football players national renown in the football world are seen again as depicted by Harold 'Red' Grange and other greats, which features the world's champion pro-football team, the Chicago Bears. Old 77 Harold 'Red' Grange will demonstrate in slow motion how easy it was for him to make All-America with his famous dashes for touchdowns right from the kickoff. In 1924, Grange, then the "Galloping Ghost" of Illinois, made several sensational field runs for touchdowns against Michigan, and he performs the same feat in the picture, this time in slow-motion photography so that the play may be analyzed. Bronko Nagurski, of Minnesota '29, is shown crashing through the line, falling down, getting back on his feet, and continuing for a touchdown. In 1929, Nagurski achieved collegiate fame, when, in the memorable game against Iowa, he ran 49 yards for a touchdown, and again in the same year, against Wisconsin, when he made a sensational crash through the line for the scoring touchdown. Jack Manders, Minnesota '32, is shown in a spectacular spinner play inside of tackle. This is the same maneuver that Manders mastered against Wisconsin in 1931, when he ran 85 yards for the final and winning touchdown. These and many other baffling plays, which have elevated the Chicago Bears to the top rung of the pro-football ladder, make "Pro Football" what is considered one of the most unusual short subjects of the year. The plays were taken both in slow motion, a

Mickey's a shovel operator and laborer at a construction site; Minnie is delivering box lunches; Pete is the foreman. Mickey pays more attention to Minnie than to his work, and keeps having accidents (mostly involving the blueprints Pete is holding). Pete steals Mickey's lunch, so Minnie offers him one on the house. While he's eating, Pete kidnaps Minnie; Mickey fights him, but the tide turns when Minnie dumps a load of hot rivets into Pete's pants. They run, and Pete chases them, causing a great deal of damage to the site.

An image seemingly that of the Virgin Mary appears upon a man. The image begins to speak to the man in whispers. Since then, the man has not been the same.

When Thelma is stopped by a cop for speeding, she tries to get out of it by telling him that she and Zasu are on their way to the hospital.

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Ruth Eton (Ruth Etting), a singer with a traveling show troupe, is engaged to the troupe manager, Joe Grant (Edward Leiter), but when Ruth's younger sister, Laura (Wanda Perry) arrives, fickle Joe transfers his attentions and intentions to her. For the sake of her sister and the show, Ruth accepts her tough break philosophically, and sings "Why Did It Have To Be Me?"...because she is a real trouper.

Tom and Jerry (the human versions, not the cat and mouse) work as piano tuners. After seeing them at work and several creative ways of tuning a piano (such as removing the offending key and cutting the key itself to a shorter length), the two attend an opera singers performance. The singer passes out when the piano plays a wrong note, and Tom and Jerry are pressed into service to re-tune the piano. After pulling the offending key from the keyboard like a bad tooth, the two give the opera audience a jazz piano performance, with the now recovered opera singer joining in.